Abishai100
Civilian
- Joined
- Oct 21, 2014
- Messages
- 148
- Reaction score
- 5
- Points
- 38
An homage to yesteryear comics like Asterix and Blondie. Signing off (Happy Christmas!),
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We are Ares (god of war) and Medusa (underworld deity of hypnosis), and we're the keepers of the flame of social deification, or in other words, the 'idea' of celebrated excellence, be it in the heavens or in hades. We're skilled at coordinating the 'Ronin' of civilization political intrigue, or the underground 'infiltrators' or 'GI Joes' or 'ninjas' of capitalism choreography. We represent the very best of socialized distances regarding the aesthetics of divinity, dollars, and danger!
We're in Arles (France) coordinating the activities of a group of these underground deity-infiltrators/ninjas or 'GI Joes' investigating blood-diamond piracy highways corrupting gem-markets and merchant-stores and banks and are therefore investigating everything from art-heists to terrorism-linked rogue financing linked to various anti-civilization groups like the hideous Cobra. Arles is very picturesque and inspires artworks but can also veil forms of invisible evil or danger!
As the 'GI Joes' immerse themselves in some off-road racing, tied to terrorism-subversions against Cobra, we (Ares/Medusa) are watching from the sidelines to measure the speed/danger of these car-chase scenes, and they're right out of the storybooks, and that's why Arles is suddenly colored in the 21st Century by inventive forms of diamond intrigue and road-disasters!
Now, the 'Ronin' we work with and complement are master-ninjas of the global political-capitalism landscape, and they're subverting gem-piracy highways linked to rogue political financing of terrible regime-visions, perhaps some even wed to chemical weapons development(s). We're taking images of the Ronin in car-chases (the good 'GI Joes') as they negotiate how to preserve the road-sanity of Arles (France) while we compose the Decameron, the book of notations characterizing the generalized intrigue of modern political-corruption queries. This takes great skill in terms of choreographed teamwork!
ARES: There was a 'vision' that was the great panoply of gods/deities, but we defend the simple monument.
MEDUSA: It's a matter of history to maintain the 'classical' structures of defense of social artistry!
Rome burnt under the hand of insane Emperors, but Arles (France) will not crumble to ashes under the weight of blood-diamond hellmouths, thanks to the Ronin or GI Joes who facilitate a rather global imagination about the basic/simply preservation of civilization hallmarks, like the colosseums of sports, music, science, and commerce!
ARES: We circulate the image of celebrated socialized capitalism values as defense of human custom.
MEDUSA: Without attention to the 'details' of custom, we can't fight for the expressions of storytelling.
You might critique that our work is generalized ministry of civilization standards, but in fact, we're seeking to uphold the basic social distances involved with everyday human living, or in other words, the living 'face' of normative intelligence. It's what separates us from the germs and weeds and leviathan of Creation --- the re-presentation of custom-design!
WORLD-CRITIC: Ares/Medusa are but comic-book artists painting a landscape of child-like vapors.
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"Money is everything" (Ecclesiastes)
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We are Ares (god of war) and Medusa (underworld deity of hypnosis), and we're the keepers of the flame of social deification, or in other words, the 'idea' of celebrated excellence, be it in the heavens or in hades. We're skilled at coordinating the 'Ronin' of civilization political intrigue, or the underground 'infiltrators' or 'GI Joes' or 'ninjas' of capitalism choreography. We represent the very best of socialized distances regarding the aesthetics of divinity, dollars, and danger!
We're in Arles (France) coordinating the activities of a group of these underground deity-infiltrators/ninjas or 'GI Joes' investigating blood-diamond piracy highways corrupting gem-markets and merchant-stores and banks and are therefore investigating everything from art-heists to terrorism-linked rogue financing linked to various anti-civilization groups like the hideous Cobra. Arles is very picturesque and inspires artworks but can also veil forms of invisible evil or danger!
As the 'GI Joes' immerse themselves in some off-road racing, tied to terrorism-subversions against Cobra, we (Ares/Medusa) are watching from the sidelines to measure the speed/danger of these car-chase scenes, and they're right out of the storybooks, and that's why Arles is suddenly colored in the 21st Century by inventive forms of diamond intrigue and road-disasters!
Now, the 'Ronin' we work with and complement are master-ninjas of the global political-capitalism landscape, and they're subverting gem-piracy highways linked to rogue political financing of terrible regime-visions, perhaps some even wed to chemical weapons development(s). We're taking images of the Ronin in car-chases (the good 'GI Joes') as they negotiate how to preserve the road-sanity of Arles (France) while we compose the Decameron, the book of notations characterizing the generalized intrigue of modern political-corruption queries. This takes great skill in terms of choreographed teamwork!
ARES: There was a 'vision' that was the great panoply of gods/deities, but we defend the simple monument.
MEDUSA: It's a matter of history to maintain the 'classical' structures of defense of social artistry!
Rome burnt under the hand of insane Emperors, but Arles (France) will not crumble to ashes under the weight of blood-diamond hellmouths, thanks to the Ronin or GI Joes who facilitate a rather global imagination about the basic/simply preservation of civilization hallmarks, like the colosseums of sports, music, science, and commerce!
ARES: We circulate the image of celebrated socialized capitalism values as defense of human custom.
MEDUSA: Without attention to the 'details' of custom, we can't fight for the expressions of storytelling.
You might critique that our work is generalized ministry of civilization standards, but in fact, we're seeking to uphold the basic social distances involved with everyday human living, or in other words, the living 'face' of normative intelligence. It's what separates us from the germs and weeds and leviathan of Creation --- the re-presentation of custom-design!
WORLD-CRITIC: Ares/Medusa are but comic-book artists painting a landscape of child-like vapors.
====
"Money is everything" (Ecclesiastes)
