Smallville Creators Sue Warner Bros

B

[insert witty comment]
Joined
Apr 15, 2006
Messages
11,802
Reaction score
3,336
Points
103
Was reported on a few days ago but I've not seen it come up so here it is for those that care:

"Smallville" just became the latest battleground in the war over vertical integration in Hollywood.
Creators/executive producers Miles Miller and Alfred Gough and series co-producer Tollin/Robbins Prods. today sued Warner Bros. TV, the studio behind the long-running sci-fi series, and the CW, the network that recently renewed the show for a 10th season.
Causes of action for breach of contract and breach of fiduciary duty are alleged against Time Warner and its divisions -- WBTV, Warner Bros. Domestic TV Distribution, the now-defunct WB network, where the show started -- and the CW, a co-venture with CBS. The complaint says WBTV made license fee deals with the WB and then the CW that "were not arms-length." The complaint does not specify damages but, given the allegations and the longevity of the series, they could total in the tens of millions of dollars.

"Warner Bros.' practices of unfair self-dealing include licensing the series for broadcast on its own affiliated WB and CW networks for unreasonably low, below-market license fees, resulting in lower gross revenues for the series and less compensation for plaintiffs, and failing to renegotiate the series' license fee to cover its production cost," the suit claims.
Sound familiar?

It should. So-called "vertical integration" cases were all the rage at the beginning of the decade, thanks to the consolidation of TV production and distribution following the lifting of "fin-syn" rules. That resulted in a wave of lawsuits brought by profit participants on shows whose owners were licensing content to sister-company distributors. Participants on "Home Improvement" and "The X-Files" reportedly received massive settlements after claiming in lawsuits against Disney and Fox, respectively, that vertical integration cost them millions. A trial over profits from NBC's hit comedy "Will & Grace" actually reached a jury, but the case was settled before the verdict was read.
The frequency of vertical integration lawsuits has slowed in recent years, thanks to increased studio efforts to negotiate at arms length and new deal language that has kept many disputes in private arbitration rather than public litigation. But there is still a widespread belief in the creative community that "Hollywood accounting" systematically shortchanges talent, especially when studios are making deals with affiliated entities or licensing product on which a percentage-based participation is owed in large packages with other participant-free content.

The "Smallville" producers also claim that Warner Bros. sold the show in foreign markets and "lumped it in with several other, less successful shows" in a package. In allocating individual license fees to the series afterwards, "several series that are less popular than 'Smallville' were allocated a higher per-episode fee than 'Smallville' " and "Smallville's" allocation was "well below the value of the series in the foreign markets."
The misallocation theory mirrors claims in a lawsuit filed in 2004 against Warner Bros. by Alan Ladd Jr., a profit participant on several Warners films from the 1980s who argued that his movies were lumped into packages and undervalued when Warners allocated license fees across hundreds of films. That case ended in a $3 million-plus jury verdict for Ladd in 2007, which is still on appeal.

Additionally the "Smallville" suit claims that Warner Bros. improperly withheld foreign taxes to the tune of $3.3 million, improperly reported production costs that resulted in $4 million in withheld revenue, didn't pursue or did not report savings from the Canadian tax credit stemming from the fact that "Smallville" is produced in Canada and thwarted plaintiffs' audit attempts.

As a whole, the producers accuse the Time Warner divisions of "depriving them of compensation to which they are entitled ... by failing to maximize profits from the series, all to the benefit of the vertically-integrated conglomerate Time Warner," and are looking to recover "millions of dollars" of unpaid compensation.

Warner Bros. had no comment on the lawsuit, which was filed by attorney Michael Kump.

http://thresq.hollywoodreporter.com...rner-bros-selfdealing-cost-them-millions.html

First comment I thought was kinda good (yet perhaps speculative?) so heres that also:

Rumor within the bunker has long had it that Smallville was making tons of money. Truly pulling in un-Godly amounts of money. Smallville has long been the apple of Warner Bros' eye. On top of everything else, year after year, Smallville's season is one of the top 10 tv home video sales, worldwide.

Warner Bros loves that show. Every time the show has been threatened (by movie, CW, heir's lawsuit, re-signing Welling, or whatever), a hornets nest erupted and the top brass has come down on the offender like a ton of bricks to defend it. As always, watch what people do and not what they say. Warner says to the outside world "Smallville is a nice little show that makes a bit of pocket change", but then turns around and acts like the show is their lifeblood and defends it to the death.

My view on the entier matter is :dry:/:cmad:
 
Actually, it was brought up over in the Ace of Clubs thread...
 
...I haven't seen so many lawsuits involving \S/ since....meh, I got nothing.
 
The producers have a very valid point. WB are clearly "sitting" on the show and its potential. I just don't understand why.

Maybe there's a set date they're waiting to pass, after-which the royalties WB has to pay the producers decreases, allowing them to really market the **** out of the series' 200+ episodes whilst making the most profits. I genuinely think once the series is over, and the producers are "out of the picture", we'll see every type of merchandising humanly possible. WB pretty much did exactly the same thing to Friends.

But there's no doubt Smallville is one of WB's biggest TV franchises in terms of potential, after ER and Friends of course. The series will be syndicated for decades to come, and it certainly doesn't do it any harm that its very easy for WB to go back and upgrade its VFX if it ever starts to become dated.
 
yea it was brought up in the lounge thread saturday night. pretty crazy stuff there. Its a bit odd they would wait over 2+ yrs to sue wb now and all that. As for the stuff i dont get all this legal stuff. But hopefully it wont have any negative impact on season 10 production later this summer.
 
Well now that the lawsuits are flying fast and furious I can finally sue Bryan Singer for the rape of a legend.

/pile on!
 
lol that would be funny if someone did try to sue singer on superman returns.
 
So does this mean those guys won't have anything more to do as far as scripting future episodes?
 
If someone can recap all that I might be able to understand it, and if Smallville is a top 10 show why isn't I never hear people talking about it?
 
Top 10 in terms of DVD/itunes/product sales & not ratings.
 
yea its more about the money the show brings in and not ratings. As for the legal stuff over in the lounge thread trip stated some things that make sense about the whole suit.
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"