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Francis Ford Coppola's MEGALOPOLIS


Further proving my resentment. Damn creep. (Note: was intended for this bit of news and not the weed one. Sorry for the mislead)

Nah, it's not wrong. This looks and sounds like an elderly narcissist's vanity project that people are pretending looks amazing even though it has all the aesthetic appeal of a Neon tinted Netflix sci-fi show simply because it has a respectable name slapped on it.
Exactly. Dude's desperate to stay relevant and it shows. At least Scorsese and Spielberg know how to KEEP relevant. Coppola does not. Hiring hated actors and being a pervert on set doesn't help.
 

Never going to be able to look at his adaptation of Bram Stoker’s Dracula and the relationship between Gary Oldman‘s and Winona Ryder’s characters in the same light ever again. :barf:
 
Never going to be able to look at his adaptation of Bram Stoker’s Dracula and the relationship between Gary Oldman‘s and Winona Ryder’s characters in the same light ever again. :barf:

Today I also learned that Coppola was a staunch defender of Victor Salva (director of the Jeepers Creepers movies) who was imprisoned for repeatedly raping a 12-year-old male actor (and filming it) and for possessing child porn.

Throughout Salva’s tribulations, Coppola has remained his loyal patron. After Salva’s release from prison, Coppola gave him $5,000, which he lived on for a year. When MGM was nervous about hiring Salva to direct “Jeepers Creepers,” Coppola, then producing a slate of films at the studio, vouched for him.

“Someone had launched a campaign against Victor, saying, ‘How can you give this guy a movie to make?’ ” recalls Coppola. “Some of the financing for the film fell through. One of the actors resigned when he learned about the case. So I helped Victor get the job. I was criticized for it, but my attitude is, he has a talent, and that talent in itself is good. We don’t have to embrace the person in believing that their art is a contribution to society.”

Coppola was on hand for some of the filming of “Clownhouse” -- since it was made, in part, at Coppola’s home in Napa Valley. “I didn’t know of anything improper going on, although I witnessed some things that caused me to raise an eyebrow,” he says. “Only in retrospect did things really add up. You have to remember, while this was a tragedy, that the difference in age between Victor and the boy was very small -- Victor was practically a child himself.” (Actually, Salva was 29 to the boy’s 12.)
 
Aaaaand just like that, my interest in this movie died.
 
Today I also learned that Coppola was a staunch defender of Victor Salva (director of the Jeepers Creepers movies) who was imprisoned for repeatedly raping a 12-year-old male actor (and filming it) and for possessing child porn.
And now you guys know why I've been complaining.
 
First reactions are, unsurprisingly, very mixed.















 
With reviews like these I don't think any of the traditional studious will pick this up. This is going to Netflix, Apple or Amazon.
 
Lol that's funny. That first major trailer was pretty absurd looking in a meh-way so I didn't really know what to expect.
 
38% on Rotten Tomatoes, based on eight reviews. It's not starting out too strong.
 
Adam Driver either needs to pick his projects better or fire his agent. :funny:
 
Reading the reviews and reactions. Coppola wanted this to be his comeback......and he instead made his own The Room at best and Southland Tales at worse.

Now comes the part where we all throw our heads back and laugh.
 
Reading the reviews and reactions. Coppola wanted this to be his comeback......and he instead made his own The Room at best and Southland Tales at worse.

Now comes the part where we all throw our heads back and laugh.
I think you're overreacting more than a bit. A 62 metascore is far from either of those two. In fact it's actually considered an overall positive reaction, which is not the case with his Dracula movie that has a 57 score and it's a great film. And the tomato score is above 50 which is rotten but mostly mixed, not bad. There are various people who seem to have hated it, but also even more people who really liked it.

I get that you want this to fail but there's no need for exaggerations, especially at this stage. Time will really tell what this film's legacy will be. Let's at least wait for the wide release (if it actually happens) to make such bold claims.
 
In no world is this The Room. That's an absurd claim. This may very well be a pretentious mess, but it won't be as interestingly incompetent as The Room. The Room is beautiful cause of its mix or pretentious storytelling and lack of knowledge on the fundamentals of filmmaking. Coppola isn't capable of making anything like that. This feels more like Alexander by Oliver Stone.
 
I think you're overreacting more than a bit. A 62 metascore is far from either of those two. In fact it's actually considered an overall positive reaction, which is not the case with his Dracula movie that has a 57 score and it's a great film. And the tomato score is above 50 which is rotten but mostly mixed, not bad. There are various people who seem to have hated it, but also even more people who really liked it.

I get that you want this to fail but there's no need for exaggerations, especially at this stage. Time will really tell what this film's legacy will be. Let's at least wait for the wide release (if it actually happens) to make such bold claims.
We'll see when the general public see this. Reactions from Cannes aren't always the best given how snooty a lot of those critics can get at times.

And, no, I don't want it to fail. Don't want anything to fail (except for Sony's stupid Spider-Man 'not-spin-off' movies). It really just feels like a desperate move for Coppola to make a comeback and get an Oscar. That's all.
 
In no world is this The Room. That's an absurd claim. This may very well be a pretentious mess, but it won't be as interestingly incompetent as The Room. The Room is beautiful cause of its mix or pretentious storytelling and lack of knowledge on the fundamentals of filmmaking. Coppola isn't capable of making anything like that. This feels more like Alexander by Oliver Stone.

People who have seen the film have actually compared this to a Tommy Wiseau movie.
 

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