Why would she have to save herself? Erik isn't trying to kill her anymore; her blood has already been collected by Trask. All Raven needed to do was step out of the bunker as herself (it's not like the humans had guns at that point) and walk away from the up-coming bloodshed.
I never got the impression she pretended to be Nixon to save herself--she even tells Erik to kill her and spare everything else.
Fair point, Raven didn't necessarily need to save herself, but I find it totally implausible that she would risk her life in order to save everyone in the bunker. It kinda felt more like she wanted to get Erik out of the way so that she could get on with her own agenda.
Raven really seemed absurdly fanatical about her mission to kill Trask, to the point of following him into the bunker which was frankly suicidal. After what happened in Paris, he was bound to have the mutant beeper thing on him at all times.
This follows her original argument with Erik in the phone booth (or whatever that was), that she didn't want a war; she just wanted Trask dead because he was solely responsible for killing mutants.
Well if she didn't want the war, then executing Trask in front of the president and his aides and potentially the world TV audience is not exactly the brightest idea. Nor was the idea of killing him in front of politicians and military guys in Paris.
And that whole conversation with Erik didn't make much sense to me to be honest. How come Erik's explanation about her blood dooming them all make perfect sense to Raven? If she somehow managed to learn everything about the Sentinels and the future war, why does it seem to bother her so little? I mean yes, Erik's solution is all sorts of wrong, but Raven's "I don't want war" makes little sense when yeah, in fact there will be a war, and yet she still seems to care about nothing else except her personal revenge mission? And if she doesn't care for Erik's view, then what's with her "it's either us or them" line to Charles at the end of the airport conversation, which sounds just like something Erik would say?
I guess my complaints about Raven and other characters are all to do with the fact that, with this movie, I felt like the characters were there to serve the plot and move it forward, whereas the best movies in these series were the opposite. Magneto's plot in X1, for instance, was IMO total and utter nonsense, but it never bothered me because the plot in X1 was really secondary to the characters and their interactions.
How can he convince Raven to think of the big picture when he just, not minutes before, got the message himself from older Xavier? Before that, young Charles wasn't even convinced.
I didn't get that impression. When Charles was telling Erik on the plane that humans were going to eradicate them, to me it sounded like, at that point, he already accepted Logan's story.
The bottom line is--he could have stopped her for the third time, but then what? Should he just keep tracking her down all around the world, freezing her every time she gets close to Trask or someone else she feels needs to be killed? In the end, she had to make the choice not to kill Trask, and nothing else would have worked besides Charles locking her in a basement the rest of her life or killing her.
Well yes, Raven had to be convinced to stop. But convincing could have been done
after getting her away from the scene first. I mean, yes
we know perfectly well that Raven is not going to shoot Trask, because it's the end of the movie and we're not watching some nihilistic indie film. But really, Charles gambled a lot there.
One thing that I really feel they need to do in Apocalypse--just one time--is have Magneto actually do something good for Charles. I don't mean bake him cupcakes...
...but where something happens, something horrible like Apocalypse starts killing weaker mutants, and Magneto actually steps in to help Charles stop him, and maybe even risks his life at some point to do so.
The reason I say is because, although I loved DOFP, the young Charles/Erik friendship really does feel very one-sided. I need to see some reason why Charles would believe Erik has some humanity, not just "Well, when he's older and wiser, Erik will be a good guy." Something's gotta give earlier than that, even if it's just a glimpse, into why Charles would try to help someone who is clearly dangerous to be around.
Yeah. Especially now that the future where old Erik and Charles work together is no longer the future of their younger selves we see in DoFP, so it becomes irrelevant. And really, Erik didn't become a good guy because he was older and wiser - it kinda took the end of the world to change him.
My worry though is that the film makers will simply roll with this newly re-established status quo - Erik is a near-sociopath who will sacrifice anything for his goals, Charles has an eternal hope for Erik despite everything - and not see much reason to change it in any way. Like it's enough for them to simply call each other friends without any acts of friendship on Erik's part. Especially now that Singer is back; I've no doubt he loves the characters and their relationship, but he might just have a very certain and very set view on how the relationship works.
And now that they also threw Raven into the mix, there might be even less reason. Because if they continue with the whole saving-Raven's-soul thing in Apocalypse and make Erik and Charles' relationship be all about Raven again, then it's like Erik has to be the bad guy and the "devil" on Raven's shoulder, so to speak.
I'd totally watch Erik baking cupcakes for Charles BTW
Oh, and I definitely want to see the students--Scott, Jean, Storm--heck, yeah. But it's a perfect opportunity for them to be young and inexperienced, and in need of Xavier and his school. I'd love to see how that student/mentor relationship started, and why the school is so important to those young students.
I can't wait for Charles to have students again
t:
It's interesting what James said in an interview "In the end Erik says 'goodbye old friend' but Charles just says 'goodbye'". So even though he let Magneto go, he's feeling colder towards him.
Though at the same time, his feelings towards Erik are in a way better place than they were at the beginning of DoFP, when he just wanted to smash his face in and called him a monster.