I wanna talk about the comics work you're doing. I thought you did a phenomenal job on Umbrella Academy and the Killjoys comic was fantastic for the way it blew open that world a little more visually. Now you're working on this new cats-in-high-school comic All Ages. What's the status of that at the moment?
That comic changed a lot. Moving forward, I have to be really cautious with my time. I've committed to doing Umbrella Academy series three, which I'm currently writing, and I really would like that to come out. As well I'd like a lot more music to come out, I'd like to be sharing a lot more often. I don't wanna go back into a cave. The status of that currently is I can't do anything with it, I just don't have the time. As much as I wanna do this epic monthly comic about punk rock and capital punishment there's just no way to fit that in and be a musician. If the only thing I did was write comics it'd be fine, but I'm choosing to focus on Umbrella Academy, because I only have to worry about six issues at a time, and my music. Music is the main focus.
What can you tell me about the new Umbrella Academy volume?
It shows this other side of what happened to all the supervillains. You get to see the Murder Magician again, he plays a really big part in this one. It's a completely different take on the universe and I think that's what makes it a great third part. It's going to be a different experience for people. It does focus on the other side, the other characters, these villains and what became of them.
Is there any more news on the movie front?
I'm pretty removed from the movie side of things. I like to focus on the comics. I did spend some time in Hollywood putting my energy into the film and after a while I found that to be a large time drain and energy drain that I wanted to put into other things. But the rights finally came back to Dark Horse and I from Universal, so after years of going through the paces and doing rewrites and trying to find directors they finally decided the project wasn't for them. Which works out in the end. If the film gets made that's really cool., I've never really banked on it or thought about it too much. I think about the world and I think about the characters, but I think about how I can create that with Gabriel [Bá].
You also did the Edge of Spider-verse stint coming out in October. One thing that struck me was certain similarities between some of the artwork and visual elements used in some of the My Chem stuff. How much input did you have on the art direction?
I feel like I had a lot of input. I like to visually conceptualise things as I'm writing the story or as I'm coming up with it. I did it with Umbrella Academy 2. I based the story around the concept of a young teenage girl co-piloting this machine with a radioactive spider whom she shares a psychic link with. I designed the machine. Then Nick Lowe, the editor for Marvel, had an artist who I thought could really capture it and make it his own, so he found Jake Wyatt. I even went as far as to redesign Daredevil 'cos I knew Daredevil was gonna be in it. And Mysterio, and things like that. I visually brought a lot to it and then Jake completely made it his own and ran with it. He's done some amazing things with it.
Based on some of the details of your Edge of Spider-verse plot, can I venture that you're a little bit of a Neon Genesis Evangelion fan?
It's funny, I saw a little bit of it and I guess it had a lasting impression on me. I think the end result through Jake's lens, I know he's a big anime fan, so I think he injected a little bit of that in there. I was really going for was kind of a little bit of a Paul Pope thing. I was going for THB. Paul Pope did this comic called THB that's about this young teenage girl who lives on Mars and she has this magical friend that comes out of a capsule called THB and he's like this large creature. Even the scale of the machine I created was the same size as THB. I think my way in was through this kind of Paul Pope thing and I think on Jake's end came this video game, anime thing. And I'm happy with that, I think it's really cool.
I'm really excited to read it.
It's cool. It came out great, I'm really happy with it.
You've also said that world-building is one of your favourite things to do. Now your outlet for that seems primarily in comics but there were conceptual ties in several of the My Chem records. Do you think you'll bring that world-building aspect to your music again in the future?
I might! I look up to musicians like Damon Albarn quite a bit. One of the things he's done quite a bit is he's gotten to express himself quite a bit and create worlds and he's gotten to have a part in musicals and things like that and I think that's really interesting to me. I'm sure there'll come a time when I'm working on an album and it becomes a conceptual piece.