metaphysician
Not a Side-Kick
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- Mar 10, 2012
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I suppose its possible Schumacher was playing "see what **** gets past the producers".
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I suppose its possible Schumacher was playing "see what **** gets past the producers".
I agree with thoseTeenage Mutant Ninja Turtles (1990)
The Rocketeer (1991)
The Mask (1994)
The Shadow (1994)
The Punisher (2004)
Iron Man 3 (2013) - at least amongst the web geeks
Hellboy II
Kick-Ass 2
The Amazing Spider-Man
The Amazing Spider-Man 2
The Dark Knight Rises (seems to be getting quite a bit of hate recently)
Man of Steel
Daredevil
Yes. I love that movie. Deltoro really gets the character.
Because Parker is an absolute jerk in those movies, that's why.Spot on list. Will never understand the hate for the TASM movies.
I will always stand by the Director's Cut of Daredevil, up there IMO, with the best CBM's, if that version had been released in cinema's, the past 10-12 years of **** Affleck has taken for the film and the role wouldn't have stood and we would have had a sequel. Outstanding film, completly different to the cinematic version and really understood the character, up there with TDK in my thoughts.
I think TAS-M is criminally underrated. Frankly for myself, there is only one "great" Raimi/Tobey Spidey film and that is SPIDER-MAN 2. SPIDER-MAN 1 has it's moments but I feel it's high school portion was obviously directed by a guy that hadn't seen the inside of a school since the late 1960's. That felt very fake (In fact, in S-M1 it all feels very fake, with the emotion of Ben's death and Tobey's acting as a regretful Peter truly standing out as "real" to me.) People wanted some kind of perfection from Garfield's Parker and felt off put by his and Webb's choice to give him some sharp edges and be more human in his flaws, unlike Tobey, who gained lots of sympathy from the audience by virtue of Raimi being so interested in abusing Peter as a character. I prefer a Peter that can be a jerk or make mistakes or be haunted by the loss of his parents ect. over a sad sack that cries at the drop of a hat and never makes a natural sounding joke for any of his film's runtime. I also appreciated the villain in TAS-M1 more than I did Dafoe's Goblin. The drama of Connors (whom, yes, true, would have been better had they included his wife and child) had more of that classic Spidey soap opera feel to it than the tacked on "please don't tell Harry" abrupt ending stuff of Raimi's film.
But there is NO defense for TAS-M2. That thing is a smelly, unfocused mess that deserves all the bad mouthing it gets.