dude stannis
Avenger
- Joined
- Jul 28, 2003
- Messages
- 17,099
- Reaction score
- 7
- Points
- 31
Yep. A competent, unexciting journeyman.
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JW was definitely not better than Terminator Salvation or X-men 3, for example.
Getting the job done might be fine for some films, but coming after great directors like Abrams and Johnson, I don't think it's hard to see why some are disappointed.
Trevorrow is middle of the road, imo, which I'll agree is far from ideal, but with a good script he can make a good movie. And I believe as long as the others are involved there's a good chance he'll be working with a good script, so I'm not too worried.
Trevorrow is middle of the road, imo, which I'll agree is far from ideal, but with a good script he can make a good movie. And I believe as long as the others are involved there's a good chance he'll be working with a good script, so I'm not too worried.
Getting the job done might be fine for some films, but coming after great directors like Abrams and Johnson, I don't think it's hard to see why some are disappointed.
Trevorrow is middle of the road, imo, which I'll agree is far from ideal, but with a good script he can make a good movie. And I believe as long as the others are involved there's a good chance he'll be working with a good script, so I'm not too worried.
Exactly. The negative reaction to his hiring is way overblown.
Now you and Parker have to fight for my love for Deathmatch! I'm very conflicted
I think the thing that feels somewhat suspect about his hiring is it's hard to imagine him getting this gig if not for Jurassic World overachieving at the box office. I'm not saying that's definitely it, but it's just hard for me to imagine this happening if JW was the same exact film it was and instead did "solid" numbers. I could be wrong, but it's hard to shake that feeling. I actually liked Jurassic World, btw, for what it was. But it does kinda feel like he got hired based on the response to that film, not the actual film itself.
At the same time, it's the only film of his I've seen so far so I'm still not entirely sure what kind of filmmaker he is. Jurassic World is pretty much designed to be a big, dumb, broad blockbuster and that's exactly what it is.
Overall, I'm not super-worried about the quality of the movie yet (let's see how Episodes VII and VIII are before we start worrying about that), but on some level it does just feel like a missed opportunity for someone that is perhaps more deserving of the gig.
It's hard to ever fully know especially with some of the connections. But looking at KK's hiring of all the other films, I think the trend is that money means nothing. Rian has never had a Blockbuster and yet he will easily be making a film that breaks 1.5 billion/1 billion with ease.
Kathy seems to have more on her mind then "Did it make money" I mean look at the craze (that many of us figured but now people are acting like they always knew TFA would be huge...anywho that's a different topic) TFA has created. SW can stand on its own. May have the connection with her husband helped, possibly. But looking at how KK has chosen film makers for the other SW films I don't know if that is the case, or purely the case.
I think it's less about the money, more about the response. To me it feels like the thinking could be something like.... "Colin really connected with the audience with this movie. It tugged nostalgia strings for old fans, was seen as a return to form for the franchise, and introduced a whole new generation of fans to that world." Sounds like the exact type of response they're going to want to get with the new saga films, no?
All of which is absolutely true btw, whether we like it or not. Jurassic World connected with people, and for as many folks who aren't crazy about it, I think it did strike the right cord with the GA overall. I'm in the camp of being someone that walked out of it feeling very entertained and satisfied, while also knowing it was far from a "great" movie. And it's entirely possibly that KK is on the side of the people who loved the film and sees it as a movie that was wildly successful in achieving what is was aiming for. Plus, the Spielberg connection.
Yeah but he has another piece of work outside of JW. And I bet you Kathy saw that as well. To claim that SW, ST is going for pure nostalgia is still just something of a word I think some throw around too much with SW. Again, any comic book film, any sequel you can argue the word of nostalgia. I think people seem to be missing the point that these new SW films are going back to the spirit of what made the films loved in the first place.
But yes there is great connections including Kathy's husband ect. But I would bet there are many other directors that have just as strong connections to her or Disney (like Jon Favreau) but again I think there is more to her selection process than that. Of course connections always help. I think she may see more in him.
Was Joss even being considered? He'd be awful for Star Wars. Keep him away.