Amazing what happens when you lose football. That's why networks pay the big bucks for the NFL, it's a loss leader that basically helps you promote other shows.
......... are you Bizarro Sawyer?
How are the friday shows still hanging in there? That's usually the day you don't want you show to be on.
With but a few flecks of gold sprinkled in there just to keep things interesting enough.
That's what soap fans get
You got what you deserved.
That's what soap fans get
I like how the article seems to say that and Don't Trust the B**** failed in the post-Modern Family time slot like Super Fun Night is likely to, but no, they "failed" because ABC ****ed with a good thing and took them out of that time slot.
ABC took them out of that time slot because they were losing a ton of Modern Family's lead in including Happy Endings. ABC could have put any show in that time slot and it would have gotten decent ratings. Just like CBS can put anything after Big Bang Theory (like the Millers and S*it your Dad Says) and get ratings. Doesn't mean those shows actually have any following on their own.
The fact they all failed after they lost the Modern Family lead in means none of them really had much of a following.
It's hard for any show to have a following when the network it is on does a poor job promoting it, then never keeps a consistent schedule for it, which it did to a RIDICULOUS degree for the third season of Happy Endings, so that anyone who did follow the show had a horrible chance of catching the new episodes. Add to the fact that they aired them out of order so that anyone who did watch them got confused, and you have a problem with how the network handles the show, not with the fans not tuning in. And stuff like Super Fun Night tanking shows that you can't put anything after Modern Family and it will be a success. Happy Endings ratings were actually going up compared to the first season once it was put in that slot, and more and more people were talking about it as it went on before ABC screwed up in the third season.
Amazing what happens when you lose football. That's why networks pay the big bucks for the NFL, it's a loss leader that basically helps you promote other shows.
ABC is known for crappy scheduling. Plenty of good shows have gotten canceled because of ABC moving things around for no good reason. Samantha Who? was doing amazing on mondays, Ugly Betty was doing great on thursdays. What do they do? Move Ugly Betty to a new night, later timeslot and tried to create a comedy block in front of Greys with Samantha Who? and another show. What happened? All those shows were canceled and nothing has survived that Thursday 8pm time slot since.
http://www.theatlantic.com/magazine/archive/2004/11/the-queen-of-tween/303541/
Who runs ABC at any given moment has been an ongoing trivia question for the past ten years or so. Since 1995 when Disney merged with Capital Cities/ABC in a $19 billion deal the top job at the network has been like the post of manager of the New York Yankees in the 1980s, when George Steinbrenner fitfully hired and fired skippers almost annually, only to finish the decade without a World Series ring. As executives have come and gone, the product on the air has been inconsistent and ultimately unwatched by an American public that in the age of cable no longer has to give network television the benefit of the doubt.
At every turn during this period, it seems, ABC called for the wrong play at the wrong moment. There was the attempt to make the network into a clone of NBC, which was then achieving ratings bonanzas with Friends and Seinfeld hip young stars sitting in apartments furnished by Ikea. There was the brief success and then the overuse of a game show Who Wants to Be a Millionaire? that seemed to run every night, over and over and over again, to the point where we didn't care whether or not someone won the $1 million prize or how many damn lifelines were left. And then there were the unseized moments, any one of which might have helped make ABC the broadcast juggernaut it seemed destined to be when it first gained access to the resources and power of mighty Disney: the network turned down Survivor (now a perennially top-ranked show for CBS) not once but three times; it balked at Scrubs (now a hit comedy on NBC) and CSI (now a hit franchise, with two spinoffs, on CBS), both of which, gallingly, were developed by Touchstone, Disney's in-house television production unit; and when Survivor's creator, Mark Burnett, came to ABC with The Apprentice, the network's inability to move quickly enough allowed that show, which became a huge hit last year, to land at NBC.
Elementary, HIMYM, NCIS, NCIS:LA and Person of Interest.