I mean, she ends the movie in a leadership role and with Jedi powers, so...agree to disagree.
Finn's character in TLJ is relevant. The scenes on Canto Bight are clearly tied to the themes of the importance of those throughout the galaxy standing up to the First Order and joining the rebellion VS ignoring the problem or contributing to it.
She already had Jedi powers in TFA, and in what way is she a leader? She hardly spends any time with the Resistance at all.
I disagree entirely about Finn. He could have had a good moment with his sacrifice, but that was also ruined really badly. The Canto Bight scenes failed to deliver a good message, especially as they were so happy to release some animals while letting the slave children be, and not coming back for them either. It all rings hollow. On top of that it was a subplot that took the bad parts of the prequels and didn't go anywhere else than to pay off the other extremely stupid power struggle on the Resistance main ship.
You are correct. There are a lot of elements in the movie more important than Luke. Which is fair. Luke had his trilogy, and this one wasn't intended to be about him. His story is merely part of events that unfold.
Can we stop with the "appeal to authority" approach with regard to how actors felt about their characters being written? That's a logical fallacy, and not a cohesive argument against the content of the story, its structure, etc.
You're saying I'm correct and then talk like you just made up what my post said. I clearly said that many things in the movie are less important than getting Luke right, as Luke is a central part of the movie, and even more so Star Wars so you want to get logical continuity.
I didn't make an argument, I said that I understand why they felt so bad because they were the ones suffering from it. What's more of a logical fallacy is making straw men, something you just supported in your post above the one I quoted.
Except it wouldn't be small. It would be a character with the same dynamic. Not a different character with the same or a similar dynamic.
Obviously a character stays true to its core traits, that's what any rational being expects unless there's a good explanation for why it doesn't. In this case there was no explanation whatsoever, Luke just acted differently because Rian put plot over logic.
Well, yeah, it's a movie. It has to be written.
And you can write it anyway you want, which makes your stance on creating redundancies pointless because he can just not write it like that. Your argument hangs on that it's the only way the story can go.
She doesn't accomplish anything in what regard?
She obviously doesn't repeat the same lesson regarding her parents as he did in the first one. In the first movie, she believes her parents may have been someone important. In the second, she is told that they were no one.
She doesn't get through to Ben. They just have a Force contest and yet again the supposedly extremely gifted force user with lots of teaching from Master Luke and Snoke can't beat the girl that just found out that she's Force sensitive the other day. All in the same stroke as he's trying to present Kylo as the big bad.
The lesson in TFA is to drop the parent thing because they aren't coming back but she has a new family in the future. In TLJ she's back to obsessing about her parents, which might have had some point if they were going to make her a Palpatine in TLJ, but since the answer is yet again that they aren't anything to care about it's just wasted screen time (yet another example).
And she was also orphaned and a good pilot, etc. Those are their basic story and character similarities. That is intentional. There are differences.
Oh yay, the classic Internet trope of stating something but not doing the normal thing and give examples or make arguments based on it. An utter waste of time to not state things directly when it's in this slow format.
Disagree. It would be considerably more redundant to have Luke repeat the whole "turn someone back from the Dark Side" thing instead of having a completely character do it.
The battle/balance between the light and dark has significant focus in almost every Star Wars story I've ever seen, at least those involving the Jedi. I don't think that's a legitimate knock against using it.
No, because one thing requires a quick scene, the other drags it out over two movies. And don't explain to me why Rey trying to redeem Ben is a thing, you're the only one that brought it up as a negative by calling it redundant.
At which point it would likely be dubbed "poorly executed" because...reasons.
Yay, more straw men. You TLJ defenders sure like those.
I'm talking about the degree of redundancy to the overall saga. There is a difference in having one character parallel another character's journey and life experiences, and seeing the differences therein, VS having one character repeat the same experiences and trials that they already had again.
One scene that's there to show character consistency in one of the most important characters of the saga doesn't do much to the overall saga. Especially not since the result would be different this time.
But the whole redundancy argument has no merit anyway. If it wasn't a major point of TLJ to be redundant we wouldn't have the escape from Hoth again. Or the battle of Hoth. Or the Emperor's throne room with new Vader saving new Luke from new Sidious. Or the old Jedi master from the previous era hiding on a planet for the new character to go find. Etc.