spider-neil
spins a web any size!
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I think for S6 to work alot of elements have to come into play beyond a good story. Sony has to be willing to allow the filmmakers to make a good story. Sony has micromanged the hell out of the last three films which has been to the detriment to the quality of the stories. Good story isn't enough if Sony is gonna demand changes and shift things around because they suddenly wanna take the franchise into another direction.
Beyond that you're gonna need compelling characters and not every Spiderman villain is gonna be compelling no matter what backstory or actor you get to play the part. Sandman, Rhino, Electro are pretty one note villains and don't really have much there there beyond their abilities. I know fans don't like to hear that ,but I don't believe this idea that ANY character can be made compelling depending on the script. You need villains who have to potential to be compelling at least not just using them for the sake of being in the comics.
You're also gonna need some dynamic actors who can bring something to the characters beyond what's on the page. They odviously don't need to be big names but they're gonna need more Alfred Molina's, William Defoe's, and Rhys Ifans's.
As far as the story goes, I still not convinced that the s6 redemption story minus Spiderman with its ties to ASM 2 is truly gonna be interesting enough for the GA to keep going back time and time again. I just don't see it. Now, the rumored Spidey teaming up with his worse foes to face a greater threat can work I think and has a much greater potential for good storytelling.
I do think the rumored new S6 story could work given the right story and talent.
To make a good S6 movie the following things have to happen.
1) Sony have to allow Goddard to make HIS movie.
They hired him off the back of Cabin in the Woods. That movie was subversive and unconventional. They have to allow him the freedom to do that again with S6 or why hire him?
2) Give the villain a solid motivation.
The villains have to WANT something and through that want you will get conflict and through that conflict you will get drama. So make the McGuffin (the thing they are chasing) a good one.
3 ) Give the villains their own voices.
By that I mean give them distinct personalities. In Usual Suspects I don't know their names but I could describe (not using their looks in the description) each one of them. If the general audience resort to using their looks to describe the characters then you've failed.
4) Build conflicts in the team.
Doc Ock and Goblin will want to be in charge so push that conflict. Certain members of the team will be there reluctantly (because they work alone) push that. Basically nothing should be easy and through conflicts you will get great drama.
5) Don't make all the villains redemptive.
Sure, make one of the villains regret or contemplate his actions but the rest of them should be villains because they want to be villains. Heck, in their own minds they shouldn't even be villains. In their own minds they should be the HERO of the movie. They want something and they are going to stop at nothing to get it. Stop with the redemption already, we've seen it too many Spider-Man movies. We want to see BAD GUYS.
6) Make us understand the villains point of view.
The thing that sucks about the Transformers (okay, ONE of the things that sucks) is that you don't see the Decepticons point of view. How are you supposed to feel ANYTHING if you feel nothing for the villain? What makes Matrix (the first one) so brilliant is you know Agent Smith's motivation and that is what gives the conflict between Smith and Neo weight. SHOW US what makes the villains tick.
7) Good writing, good direction.
Goddard is writing and directing so it goes back to the original point of letting him get on with it.
8) Good cinematography.
I really want this movie lit unlike anything ever in a Spider-Man movie. Dark and moody to reflect the villains difference from the bright and colour Spider-Man. Not important in the grand scheme but would be nice.
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