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This is a continuation thread, the old thread is [split]494177[/split]
Franchise fatigue is real, and it should not be overlooked.I think the rather simple answer is fatigue. I know too many people who are skipping this simply because they are sick of Spider-Man after so many films, including comic film fans.
It's really a common practice though that's been happening for the last 10 years. There's a big movie coming out every weekend, and it's been fairly common for a while. In 2007, Spider-Man 3, Shrek 3, and Pirates 3 all came out in the same month.
It's been a typical practice for a while. Speed Racer came out a week after Iron Man, and that was back in 2008. Keep in mind Speed Racer was a huge release from the directors of the Matrix at the time.
No matter how much you move a film, there's always going to be a big movie coming out that weekend or the following weekend almost assuredly. Just look at the release dates going back especially over the summer. You can find major tentpole releases with major budgets almost virtually every weekend.
Are there many overseas markets left for HC to open in?
Japan for sure, not sure what else. It's going to rake in the cash in the Asian markets.
I think the rather simple answer is fatigue. I know too many people who are skipping this simply because they are sick of Spider-Man after so many films, including comic film fans.
Are there many overseas markets left for HC to open in?
Belgium tomorrow, Spain the 28th and Japan August 11. I think that's it.
Hasn't opened in China yet.
SM: $4,983,142China numbers are going to be important. Trying to find the numbers from previous Spidey movies but no luck...
Belgium, Spain, China, JapanAre there many overseas markets left for HC to open in?
Belgium, Spain, China, Japan
...all that fuss (an inclusion into the MCU, a heavily advertised Robert Downey Jr. cameo, solid reviews), and they are going to end up just over/under the number of tickets sold by The Amazing Spider-Man five years ago. Weve seen this before, on a frankly more frequent basis as the redo/reboot becomes more common. Sometimes the fan base is the fan base and the IP is the IP, and all the new bells and whistles in the world wont change the outcome.
Maybe an IP cant be bumped up without a massive change of the guard, especially in the modern era (this isnt Star Trek 2009 versus Star Trek: The Motion Picture). Give or take special circumstances, a pre-sold IP like Spider-Man may never rise that much higher than The Amazing Spider-Mans domestic ceiling, if only because weve had so many Peter Parker Spider-Man movies since 2002.
Now I would argue that Sony still did right by the character by certainly offering a crowd-pleasing Spider-Man movie for much cheaper than the last two and that folks really like the new Peter Parker is a boon for the brand. And as I've said before, as long as folks like the movie, a Spide-Man: Homecoming that makes about as much as The Amazing Spider-Man qualifies as a win. Nonetheless, once again the new-and-improved reboot is doing about as well (in North America at least) as the last one.
Marvel saw Spider-Man: Homecoming as the glorious return of their prized character to the official Marvel Cinematic Universe. Sony saw a chance to boost a flailing IP and potentially launch a connected universe. But general audiences, specifically those in North America, just saw the sixth Spider-Man movie and third new Spider-Man movie in 15 years. You might say that the writing was on the wall.
I feel like if Apes came out in August, Homecoming could have had a 50-55M second weekend and Apes could have opened to 60-65M.
Maybe an IP cant be bumped up without a massive change of the guard, especially in the modern era (this isnt Star Trek 2009 versus Star Trek: The Motion Picture). Give or take special circumstances, a pre-sold IP like Spider-Man may never rise that much higher than The Amazing Spider-Mans domestic ceiling, if only because weve had so many Peter Parker Spider-Man movies since 2002.