Firstly, as we kind of got hints of in earlier episodes, but get very explicitly said in the season finale, Joel mentions at one point nearly committing suicide after losing his daughter Sarah, but deciding not to at the last second. From very early on, they’re already setting up the idea of Joel, in some interesting way, being prepared to die. So, when Abby finally comes around to getting her revenge and beating him to death, it won’t be something that just seems to come out of nowhere. It plants the seed of death following him and being at his heels, ready to take him at any second. Instead of his death being karmic, it almost becomes something inevitable, like anything or anyone could cause it at any time. It also goes back to the broken watch he wears around his wrist and what that symbolizes. From the beginning of the story, time is not on his side, and death is always waiting. Not in a gracious or malicious way, but something that just is.
The other thing has to do with the story structure of the show itself. In the official podcast, Craig Mazin mentions that one of the benefits of television is that you can explore various different perspectives, not be tied to just a single one like in a video game. This season, we got various examples of that. Firstly, the talk show at the beginning of episode one. The beginning of episode two with the mycologist in Indonesia. The Bill and Frank episode, which hardly features Joel and Eli. Episode four, which introduces us to the character of Kathleen. Episode five, which starts off with Henry and Sam. Episode
six, which starts off with an elderly Native American couple. Episode seven, which is an entire flashback episode revolving around Ellie and Riley. Episode eight begins with David and his “community”. Finally, the season finale shows us what happened to Ellie and her mom.
A couple of things that all of these different story branches have in common. One, like I already mentioned, is that we get to see different points of view outside of the main cast’s lens. Two, the story plays around with time and chronology. And what is another story in this franchise that plays around with these two concepts? The Last of Us, Part II.
I am convinced that this particular structure wasn’t just chosen for the benefit maximizing story potential of this season, but also to prime us for the kind of story structure we will be most likely experiencing in the next two or three seasons as a result of adapting the second game, which jumps back and forth in perspective and in time.