Insane, by that time you just could have gone through with it.
Bad or not, i really wanted a live action MOTU movie.
But this sucks even more in the current situation, seeing what Netflix throws at projects they then cancel without a second thought...while they refuse to pay actors&Writers fairly.
Throwing this much money left and right at everything except at writers and actors...shame on Netflix.
Maybe Netflix needs to find partners to release some of their more expensive films to make some/most/all of the money back in a theatrical run and maybe even a ...profit. The films can still help their streaming after regardless.
I don't quite understand the strategy. People who love films in cinemas are usually very excited to watch them as possible again on streaming. And anyway if you manage to break even (never mind profit), you are getting "freebies" into your streaming service.They partnered with theaters for that limited theatrical run of Knives Out, and they still left money on the table. So foolish.
Wonder if Mattel will want to push forward with He-Man given the success of Barbie, or are the film/television rights tied up at Netflix?
I wouldn’t have He-Man visit the real world, but I think you can embrace some of the 80s silliness with some degree of meta commentary.
Zane Phillips would be an excellent He-Man:
What if Mattel really ends up having a couple of major hits after Barbie and eventually does its own He-Man, kinda what Marvel did with Guardians?
It's certainly a gamble. Only guys in their late thirties are gonna go opening night (hopefully).
But also after the current superhero landscape, I can see them trying to resurrect other IPs that are not strictly superhero-related. There's a bunch of 80's IP available to explore.
We already know they won't touch anything original, having a recognizable name in the title is half the battle.
What if can be asked for a lot of things, but it's not an exact formula. The whole Barbie movement was kind of like lightning in a bottle and people got excited about Barbie-mania and Oppenheimer.
At the end of the day, Guardians is still part of the Marvel Universe and continuing the MCU. Also, it was based on a great comic book series at the time, that was also part of the Marvel Universe.
Mattel toy properties are toy properties. There's no Mattel Universe. He-Man and Barbie aren't part of a shared universe or franchise. Masters of the Universe is its own universe. Also, Barbie is primarily aimed at girls. Masters of the Universe was primarily a boy-skewing toyline, and now it's mainly enjoyed by aging adults. In fact most kids these days are moving away from analog toys and action figures and want phones, tablets, or video games.
But even the Barbie movie cost $145 million. There's no way a MOTU movie costs less. Barbie I think works because she's basically a blank slate. You can really do whatever you want with Barbie. It's not like Barbie has an established lore or continuity.
Oh I think I didn't explain myself correctly. I wasn't talking about a shared universe or anything like that, but more from a financial stand point. That maybe Mattel can produce He-Man and the Masters of the Universe on its own much like Marvel did.
From my understanding, they want their films to be seen first and foremost through their streaming service.I don't quite understand the strategy. People who love films in cinemas are usually very excited to watch them as possible again on streaming. And anyway if you manage to break even (never mind profit), you are getting "freebies" into your streaming service.
From my understanding, they want their films to be seen first and foremost through their streaming service.
While these limited 1 to 2 theaterical runs are just limited runs, not really aim for the general public.
And this is why NetfliX will never be part of the big five. Once Disney or any major film studio figure out these streaming services, NetfliX would be in danger.