Silvermoth
Krakoan native
- Joined
- Oct 31, 2006
- Messages
- 22,509
- Reaction score
- 6,986
- Points
- 103
I still think Lady Gaga should play Dazzler.
I would love that
A friendly reminder to our users, please make sure your account is safe. Make sure you update your password and have an active email address to recover or change your password.
I still think Lady Gaga should play Dazzler.
Just some words then use @ and a search feature will show up and just type Kevin Feige. His account will show up, then click his name. For your long post/pitch. You can screengrab it then just attach it to your tweet. You can also use hashtags like #DazzlerTheMovie
I like the idea of it being a partial musical, I think that works really well. I also think it could be really interesting if it worked like that but the sound actually came from Dazzler, her powers are actually what are making the images and sound around her during the plot-forwarding segments. Kinda like Gisele from Enchanted. That could be a lot of fun.
I like the idea of bringing in songwriters to do an album, essentially for a band.
Nooooo make it a movie! I'm kind of over quirky musical tv shows. Make a big superhero musical!
I wonder who would direct it. Joss has always wanted to do a musical and he would probably be perfect but he's probably busy. Julie taymor would be amazing but I suggest her for everything.
Her epic Disney sensibilities from the lion king mixing with the pyschedelia of across the universe would be a treat for everyone!
..
BUT, parade raining aside, I have a question do you guys want Dazzler to be a traditional musical, where the sound is non-diagetic, or a movie with diagetic sound, where the music performance is in the plot? In a traditional musical, like Frozen or Annie, the characters aren't themselves singers in the plot, there isn't even usually a band, music just 'happens' like a magic, and the audience just accepts this as a caveat of the genre, like they accept magic in a fantasy story...
So, which are you guys thinking of a traditional musical with some musical performance in it, like Hairspray? Or a story with totally diagetic sound, like August Rush?
Why would even kill Longshot?
I see a Dazzler movie as a coming of age type film in the vein of Saturday Night Fever, Purple Rain, Roll Bounce, Save the Last Dance, etc.--with some Star (FOX series) mixed in.
"A young impressionable woman trying to cope with her day to day life (parents, job, expectations, etc.). Her outlet is the retro New York dance club scene (Disco, Pop, Hip-Hop) where she competes in a dance contest with her friends. But her life becomes even more complicated when she discovers she's a mutant."
I think this approach would press all the right buttons as well as allow Marvel to tap a genre that would adapt easily to Dazzler. To be young and rudderless in New York--the night life, the drama, the trouble and at times awkward situations Dazzler would find herself in.
In the end there could be a hint toward's X'Aviers School for the Gifted.
PG13...R if Marvel wanted to push the sex, drugs and obscenity angle...
I don't think it would be guaranteed at all. Case in point, the Baywatch movie.It would be guaranteed to make a stash of cash if they got Efron for longshot. I wonder if he could rock a mullet?
I'd rather she looks like classic Dazzler than something more seasoned or mature. I would prefer that she is younger and less confident and that it's the roller disco and her singing and performance that allows her to let down her hair and feel more like herself and break free.
If she's too seasoned, it's not really a coming of age story anymore. I would like her to feel like others don't get her and think she's more of an introvert in her everyday life. But when she puts on that Kiss makeup, silver-white jumpsuit and roller skates and begins to sing, she sheds all her inhibitions.
People naturally would think she wouldn't be able to do that, because they would make assumptions about her (which is what people often do about the more introverted). They would naturally assume her introverted self is her true self and that maybe as Dazzler she's putting on an act, but in fact she feels more like herself as Dazzler and her "true self" (the introverted one) is just the one who has fallen into a rut and can't break free of the way everyone knows her to be and what they expect of her.
And it could all be also a metaphor for her mutant powers. As she performs and does something that is more showy and outgoing, she is tapping into the mutant side that is her true self too.
Her first onstage performance as Dazzler (ie the first song as Dazzler, but not the first song just as ordinary Alison Blaire in the film) could almost be a "Let it Go" type moment where she sheds her inhibitions and becomes who she knows herself to be.
I can see it. How far are you taking the musical angle?