Mysteryman
Avenger
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- Jan 31, 2011
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Vincent could always show up in a post credit scene.Seems pretty crowded now with all these subplots going on.
Vincent could always show up in a post credit scene.Seems pretty crowded now with all these subplots going on.
Absolutely. IIRC, the original release slate for this year was supposed to be Shang-Chi in February, Doctor Strange in the Multiverse of Madness in May, No Way Home in July, and Thor: Love and Thunder in November. That's already more spread out than what we ended up getting in 2021 so there was more room in between film releases to fill the gaps with the Disney+ shows.All True.
In Fact, The release of Shang Chi on Labor Day was the first time that particular holiday weekend had a major release in a long time.
Usually Labor Day, is where they dump the box office turkeys.
If I had to rank the D+ Marvel series so far it'd be
1.TFAWS
2. Hawkeye
3. Loki
4. WandaVision
They're all good and can't say any of them are bad, but something about the more grounded ones are piquing my interest more. Hawkeye has been great imo.
As of now it definitely seems like more of a business decision than a creative one.
Watching Episode 4 last night I noticed two occasions where Yelena kept Kate breathing - once by snapping the cable to get her zip line moving toward the roof and a second time when she attached a safety line to her before punting her back off. She also avoids using the Widow's bite or even striking Kate. Her behavior kinda answers the question who called in the hit.
The thing is they could have been a straight to streaming film, but of course a series would have buzz and they could spread out new content with a series for weeks or months unlike a 2 hour movie.I personally find Echo a more interesting character than Kate, whose stupidity and naivete are astonishing even for a young person.
I also agree that Hawkeye seems to have the same problem with Loki: too little jam spread on too much bread. There is no reason they shouldn't have been two hour+ movies other than the fact Disney didn't believe the characters were commercial enough.
The thing is they could have been a straight to streaming film, but of course a series would have buzz and they could spread out new content with a series for weeks or months unlike a 2 hour movie.
I feel like this is going to be an ongoing problem for the future mcu shows. A bunch of Series that easily could have been trimmed to a 2 hour movie.
For the most part, the character development in these shows are not that different from what the movies do, to be honest. They are not character-driven stories (with the possible exception of Wanda in WandaVision or, mostly, Falcon and Bucky -which is possibly my favorite show so far in terms of balancing character, action and moving things forward-).
I like the shows so far, there's nothing really bad about them whatsover, but one thing that bothers me is the length of the episodes: one episode is 52 minutes and the next one is like 27... that's terrible and it shows that they don't put the same effort in every one of them. The inconsistency week to week damages the quality, in my opinion.
I think this is another time where people need to remember the difference between "plot" and "story". Scenes like the LARPers, or the Kate/Clint Christmas celebration, are not "stalling to delay the plot". Their purpose is to reveal the nature of Clint and Kate as characters, individually and how they relate to each other. Which is to say, they are *the whole reason why the show exists in the first place*. The plot, "missing Ronin gear falls into the wrong hands", exists for the purpose of setting up said story scenes, not the other way around.
I don't mind the time limit as long as the story doesn't drag, and it doesn't feel like they are saving the bigger moments/action for later episodes or the final minutes of the episode.Hopefully that changes really soon. I am a bit surprised nobody has called Marvel out on that whenever the shows were being promoted. The Netflix shows at least had consistency in regards to it's time limit, despite the filler episodes.
Cool idea to have one for that.I wonder if there will be an Easter egg of the Spideys identity getting out. Both NWH and this take place in NY around the similar time.
After Hawkeye head writer Jonathan Igla pushed for Yelena's return in the Disney+ series, Marvel Studios president Kevin Feige let him in on a secret: Black Widow's stinger would lead directly into the events of Hawkeye
There was a length of time where I wasn't supposed to share it with the rest of the writing staff. There were a handful of things like that, which was challenging. I did my best. I like to think that I'm an honest broker and if somebody tells me not to share something, even if I think, 'Well, the writing staff really needs to know this then I'm just going to trust their process'... I kept it under my hat for a while."
Similarly, Marvel didn't tell Black Widow screenwriter Eric Pearson what he was setting up when writing the post-credits tag between Yelena and Val at Natasha's grave.
"I had made the case to Kevin and Lou [D'Esposito] and Victoria [Alonso] that Yelena had a place in our story and this was the right place for her next chapter. So I think the scene was created to support that," Igla explained. "Obviously, the rest of the writing staff knew we were building pitches around her as soon as I got the thumbs up."
For his part, Pearson only knew he was siccing Yelena on a retired Clint Barton, the former Ronin, in the aftermath of Endgame. Val also appears briefly in Disney+ series The Falcon and the Winter Soldier, recruiting the disgraced US Agent (Wyatt Russell) for purposes that are yet to be revealed.
"They told me, 'and then at the end, this is the target.' And I was like, 'What does that mean?' They were like, 'Don't worry about it. You don't have to know that,'" "I was like, 'Who am I screwing over? Something is going on! I don't have an answer for this.' They were like, 'You don't need to. We are going to figure that out.' "I remember writing it and feeling super guilty. 'I hope whatever writer is working on this next chapter is going to be OK with what I've done to them.'"
Yeah sounds like Marvel has crawled too far up its own ass about spoilers.I am sceptical that they resolve the Yelena/Clint arc with this messy communication between the teams.
Yeah sounds like Marvel has crawled too far up its own ass about spoilers.
This is probably my favorite of the Marvel shows. Only the Widow reveal has irked me. The idea of a Widow being thwarted by a half deaf worn out Clint and a 22 year old college girl is absurd. A Widow should have been able to kill them both without ever even making her presence known.
Yeah sounds like Marvel has crawled too far up its own ass about spoilers.
This is probably my favorite of the Marvel shows. Only the Widow reveal has irked me. The idea of a Widow being thwarted by a half deaf worn out Clint and a 22 year old college girl is absurd. A Widow should have been able to kill them both without ever even making her presence known.