Justice league technical crew update

A little Ot : Miller, gave an acceptance speech at the Australian Film Institute (AFI) awards ceremony in Melbourne last night and i assume that's the event where Miller said that Jl was being unaffected by strike .

that said,nothing notheworthy about Jl .



'Culture war' makes Miller mad



Aussie film director George Miller has taken a swipe at the Howard Government over the so-called culture wars, saying there are "wiser" days ahead.

Miller, in an acceptance speech at the Australian Film Institute (AFI) awards ceremony in Melbourne last night, said the years of the Howard Government had been detrimental to universities and the national broadcaster.

"We've seen over many years the utter emasculation of the ABC, the vitality sucked out of our universities as places of true learning and it just doesn't make any sense," he said in accepting his Global Achievement Award.

"We're a very small country and we have very little culture distinct enough to call it our own, so why should we have a war about it?

"It's as ridiculous as bald men fighting over a comb, when we should be out there trying to grow hair."

In a reference to Labor's win in the November 24 federal election, he said: "Now there are sunnier and wiser days ahead."

Miller, 62, director of the Oscar-winning animated movie Happy Feet, is best known for the series of Mad Max films starring Mel Gibson.

His next project will be directing Justice League of America.

It has also been confirmed he will direct the fourth Mad Max film, known as Road Fury.

AAP


http://www.theage.com.au/news/film/culture-war-makes-miller-mad/2007/12/07/1196812969753.html
 
Yes she was. Now they'll have to get another costume designer to do the work she left off, or design the costumes based on Allen's original plans.
well with all due respects to the late Ms Allen, i wasnt all that impressed with her being the head costumer for JLA (in fact i remember saying this way back). there's just nothing about her past projects that would indicate that she's the right kind of person to head the biggest superhero movie project in history.
 
Justice League Discussions Begin 2008
Thursday, 20 December 2007
The Alliance will meet with producers of George Miller's upcoming feature film Justice League of America early in the New Year to discuss the engagement of crew. This will offer an opportunity for crew to seek improvements in the terms of their engagement. If you are looking to work on Justice League or you would like to have a say in how crew will be engaged, contact Claire Montgomery on 02 9333 0953 or email [email protected]

http://www.alliance.org.au/alliance...ce_league_discussions_begin_2008_20071220341/
 
Weta triumphs in clash of the superheroes
By TOM CARDY - The Dominion Post | Monday, 07 January 2008

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Weta Workshop's involvement in another blockbuster movie has been unmasked - the physical effects studio has beaten Hollywood to design and make the costumes for superheroes including Batman, Superman, Wonder Woman and The Flash.


The costumes will be donned by a yet-to-be-named cast for the big-budget Hollywood movie Justice League of America, to be filmed in Sydney this year and directed by Australian George Miller of Mad Max and Happy Feet fame.

The film's Wellington-based American producer, Barrie Osborne, who produced Peter Jackson's The Lord of the Rings, confirmed Weta Workshop's involvement.

"They are doing all the costumes and they're doing a brilliant job," he told The Dominion Post from Sydney.

"A lot of people thought it would be too hard, that you can only make those things in Hollywood."

No budget has been announced for the long-awaited movie, which would bring together a range of superheroes including Batman, Wonder Woman, Aquaman, the Green Lantern, Martian Manhunter and Superman.

Casting rumours include Adam Brody, of The OC, and rapper Common.

Weta Workshop specialises in physical effects such as costumes, props, models and movie sets, and Weta Digital does computer-generated visual effects.

Osborne said it was possible Weta Digital eould also be involved in the film, based on the DC Comics series, but that would depend on the studio's commitments to other projects.

"George Miller has a great take on the material, so it elevates it to something that's not a comic-book movie," he said.

Osborne was involved in many Hollywood films, including The Matrix and Apocalypse Now, before working with Jackson on the Rings trilogy.

He has since become a New Zealand citizen and, while still living in Wellington, has been involved in many big film projects.

He was an executive producer on The World's Fastest Indian and Australian film Little Fish with Cate Blanchett, and is producing the joint Korean-American action film Laundry Warrior, starring Geoffrey Rush, which is shooting in Auckland.

"At the heart of it is a love story, but with a lot of action. It is an exciting film and a different kind of film."

http://www.stuff.co.nz/4346075a1860.html
 
Well now that JL is back on track, any news regarding any new crew additions/changes since the delay? A hint regarding the composer would be great...
 
From Sydney Herald:
Caged and dangerous

cagefightingwideweb470xkp1.jpg

Up close and personal … Luna Park on Friday night
Photo: Steve Lunam


February 17, 2008

Sydney has sampled the fastest-growing regulated sport in the world, writes Adrian Proszenko.

Australian martial arts legend Richard Norton came to the inescapable truth after years of being kicked and punched in the head by Jackie Chan and Chuck Norris: "Playing the bad guy always meant you got beat up and killed and never got the woman."

But the renowned actor, stuntman and bodyguard came to an even more chilling conclusion while commentating on one of the first official cage fights in the United States - somebody was going to die.

Hollywood is where Norton made his name. Hollywood would have you believe cage fighting is the equivalent of human cockfighting. Like the time when Mad Max walks into the Thunderdome arena. Two men enter. One man leaves.

But Norton's initial fears have been put to rest. Having watched the sport of mixed martial arts evolve from a lawless bloodfest into a regulated sport - the fastest-growing in the world - Norton is now an unabashed fan of cage matches.

"I'm pleased to say I have been proved wrong," he said. "When you look at the overall record, the injury rate is incredibly low.

"If it was seen to be out of control, with no professionalism in the way it's run and the way the fight is conducted, I don't think it would have spread the way it has."

Norton, fight choreographer for another George Miller film, Justice League Of America, was a ringside guest at Friday night's Cage Fighting Championship at Luna Park. What he saw was a far cry from the sport in the early 1990s. Back then there were practically no rules, no weight limits, no time limits. Fighters came out bare-fisted, free to stomp and kick the groin - free to do pretty much whatever they pleased. But the introduction of rules, regulations and professional referees has helped clean up the image of cage fighting. And in the US the punters have responded with their feet.


The Ultimate Fighting Championship is the second biggest-grossing pay-per-view event on television. And, while the sport has evolved from its barbaric origins, there's enough contact, blood and violence to ensure it's not everyone's cup of chai.

"You always get a small contingent, rednecks or whatever you want to call them, that want to see a lot of violence," CFC director Luke Pezzutti said.

"It's not about that. You want to watch a good fight, all three facets of the fight game - the striking, the wrestling and on the ground."

At the CFC event in Sydney the card girls had an easy night, with only two of the nine bouts lasting more than one round. Most were over within about 60 seconds as the combatants unleashed a combination of jujitsu, judo, karate, boxing, kickboxing and wrestling on each other.

The fights took a familiar pattern - within a few seconds the match would degenerate into a Greco-Roman-style wrestle on the ground, with enough grapple tackles to make even Craig Bellamy wince.

Perhaps the fourth bout of the card provided the best insight into cage fighting. Nick Pudney was literally on top of opponent Alex Shevtsov, punching him to the ground and declaring to the crowd: "I'm going to f--k him up!"

Seconds later Pudney's arm was at right angles after Shevtsov pinned him and dislocated it.

Earlier, Jai Bradney unleashed a dozen snapping cobra-like blows on Rob Hill in the opening fight. After the referee mercifully ended proceedings, Bradney grabbed the MC's microphone and yelled: "To my girlfriend, happy Valentine's Day - you're getting some tonight!"

Cage fighting isn't for the squeamish. As Norton put it, the cage has a "primeval allure" to it.

"It doesn't change what goes on in the ring but there's a perception it's more gutsy, brutal and earthy."

It begs the question - why would you climb in? What would motivate someone like Andy Kappas, a part-time fireman, to jump into the arena for the first time on Friday night? Is he crazy?

"I look at at people who get into a formula one car and go 300km/h as crazy," Kappas said, laughing.

"It is contact sport, but so are sports like rugby league … why not?"

The feature event involved Hector Lombard. This guy is the real deal. Lombard came to Sydney to represent Cuba in judo at the 2000 Olympics, fell in love with a local and officially became an Aussie citizen three weeks ago.

He also fell in love with mixed martial arts the first time he saw it on television and decided to make a go of it.

After winning all but two of his 19 pro fights the 29-year-old is now set to sign up to the lucrative UFC league, where stars have a cult following and can earn up to $1 million in sponsorships and prizemoney.

"I would like to be UFC world champion, train in America to get a contract there," he said. "If you don't make money, it don't make sense."


The fights took a familiar pattern - within a few seconds the match would degenerate into a Greco-Roman-style wrestle on the ground, with enough grapple tackles to make even Craig Bellamy wince.

Perhaps the fourth bout of the card provided the best insight into cage fighting. Nick Pudney was literally on top of opponent Alex Shevtsov, punching him to the ground and declaring to the crowd: "I'm going to f--k him up!"

Seconds later Pudney's arm was at right angles after Shevtsov pinned him and dislocated it.

Earlier, Jai Bradney unleashed a dozen snapping cobra-like blows on Rob Hill in the opening fight. After the referee mercifully ended proceedings, Bradney grabbed the MC's microphone and yelled: "To my girlfriend, happy Valentine's Day - you're getting some tonight!"

Cage fighting isn't for the squeamish. As Norton put it, the cage has a "primeval allure" to it.

"It doesn't change what goes on in the ring but there's a perception it's more gutsy, brutal and earthy."

It begs the question - why would you climb in? What would motivate someone like Andy Kappas, a part-time fireman, to jump into the arena for the first time on Friday night? Is he crazy?

"I look at at people who get into a formula one car and go 300km/h as crazy," Kappas said, laughing.

"It is contact sport, but so are sports like rugby league … why not?"

The feature event involved Hector Lombard. This guy is the real deal. Lombard came to Sydney to represent Cuba in judo at the 2000 Olympics, fell in love with a local and officially became an Aussie citizen three weeks ago.

He also fell in love with mixed martial arts the first time he saw it on television and decided to make a go of it.

After winning all but two of his 19 pro fights the 29-year-old is now set to sign up to the lucrative UFC league, where stars have a cult following and can earn up to $1 million in sponsorships and prizemoney.

"I would like to be UFC world champion, train in America to get a contract there," he said. "If you don't make money, it don't make sense."
Source:http://www.smh.com.au/news/sport/caged-and-dangerous/2008/02/16/1202760663853.html

A from someone who got hit in the pocket by the delay.

Friday, January 18, 2008

New Job is a No Go

justice20league20of20amys1.jpg


I was hoping to start a new job when I got back from Ireland. I'd been put in touch with the SFX coordinator for a new film being made at Fox Studios and was hopefully going to work in the Special Effects Department. The film turned out to be The Justice League Movie. Bit of a dream job really, as you can imagine, and only 10 minutes up the road for me (better than the hour I currently drive to work).

All seemed to be going well, except the writers strike in America was delaying the start of Production. I was asked to call back next week and they would let me know what was happening. The next week came and the guy I'd been speaking to (seems like a very nice guy) said the powers-that-be would be making a decision this week.

Well, he called me back today and told me the whole film has been canned. Due to the writers strike in America.

So there goes my big entrance into the film industry. The silver lining is though, that he has my details and said he will call as soon as the next project/film comes along.

Here is an excerpt from the Reuters news website...

LOS ANGELES (Hollywood Reporter) - The superheroes of "Justice League of America" will have to hang up their costumes, because the Hollywood writers strike prevents Warner Bros. from sorting out problems with the movie's script.

The feature, starring DC Comics staples such as Superman, Batman and Wonder Woman in live-action flesh, was to have been a special-effects extravaganza for the studio. George Miller ("Happy Feet") was attached as director.

Word leaked in the fall that the script, by the husband-and-wife team of Kieran and Michele Mulroney, was good but that subsequent rewrites, including the latest by Miller, had pacing issues and took the project in the wrong direction. With the 11-week writers strike in full swing, the studio decided it was best to wait to iron out the problems. more
Source: http://www.simonpither.com/2008_01_01_archive.html
 
Nice articles retro. Hopefully we get some good news soon with the film.
 
How about the score.

They said something?

I don't think we'll hear about who will compose the score for Justice League until the film actually starts shooting or finishes shooting.

I would wager that John Powell would be Miller's first choice, as Powell and Miller loved working together on Happy Feet.

However, Powell hasn't said anything regarding JL. Or maybe if he's already signed on, he isn't allowed to say anything if he is until WB okays it. But the WB might insist that Miller use a different composer -- perhaps the maestro himself John Williams? Miller has worked with Williams on The Witches of Eastwick before so it's certainly possible.
 
I Would love both.

Can you imagine Willians and Powell working together. The movie sure would have a big score!
 
I don't think Powell and Williams would work together... I don't think Williams has ever wanted to collaborate with another composer but then again I don't know how he thinks. Maybe he has wanted to work together with someone (like his late friend Jerry Goldsmith) but hasn't found anyone yet or just likes doing things himself.

John Powell has co-composed quite a few scores in the late '90s and early '00s with Harry Gregson-Williams. I don't think he would opposed to working alongside Williams, although their composing styles are very different. But a score composed by Williams and Powell would definitely rock.
 
EDIT - Just realized that they're based at Fox Studios Australia in Sydney.:O :O

New Zealand based company Moneypenny is helping out on JL as well....

welcome to moneypenny services

people who count

Moneypenny, established in 1980, is a group of companies providing specialist financial services to the global entertainment industry. Our clients include film & television production companies, producers, US studios, banks/financiers, private equity firms, government agencies, talent agents, actors, directors, crew, musicians and live event tour promoters. We have offices in Australia, New Zealand and South Africa and strategic relationships in the USA, Canada and the United Kingdom.

Film & Television Tax Incentives/Rebates
Moneypenny is the market leader in the Southern Hemisphere, successfully structuring and claiming payouts in full for many feature films (mix of US studio, domestic and international co-productions), TV series, and mini-series, with combined qualifying spends of over A$1 billion. Our production monitoring procedures, reporting and application presentation formats are approved by all completion guarantors and government agencies, with the real value add being our understanding of the nuances involved in the various definitions and unique risk mitigation strategies for producers/financiers to maximize their claims. To this end we have developed an in-house model that is at the cutting edge of international tax and capital market compliance standards.


Production/Tour Accounting & Payroll Services
Moneypenny’s major focus is in the areas of project budget analysis and management, where we have accounted for and/or provided payroll services to over US$1.5 billion in film and television production in Australia, New Zealand, Fiji, Vietnam, South Africa, Thailand and Europe.
Our project based production accountants have experience with all the major software packages – Vista, Visual Max, PSL and our own fully integrated general ledger and payroll package, Goldfinger.
Goldfinger’s payroll module is also able interface with these software packages, avoiding time consuming journal entries and providing the level of detail in the general ledger the production requires.

Credits include:

Features - Baz Luhrmann's Australia, Moulin Rouge, The Quiet American, Where The Wild Things Are, Ned Kelly, The Mask 2, Daybreakers, Lantana, Anaconda 2, Rabbit Proof Fence, River Queen, Muriel’s Wedding, Paradise Road, Steve Irwin’s Collision Course, The Proposition, Jindabyne, Lord of War. Justice League of America and Wolverine (both currently in production).
Source:http://www.moneypennyservices.co.nz/

Updated....

Credits include:

Features - Baz Luhrmann's Australia, Moulin Rouge, The Quiet American, Where The Wild Things Are, Ned Kelly, The Mask 2, Daybreakers, Lantana, Anaconda 2, Rabbit Proof Fence, River Queen, Muriel’s Wedding, Paradise Road, Steve Irwin’s Collision Course, The Proposition, Jindabyne, Lord of War and Justice League of America (currently pending).
Source:http://www.moneypenny.com.au/
 
i think the company is a production services/ and budget-money stuff.
 
YEa i dont really know what that company does but i guessing its as i said a production service company and deals with money and budget stuff. The best thing to do is look up what they are if they got a site.

Here is what there website says they are:
www.moneypenny.com.au
welcome to moneypenny services
people who count
Moneypenny, established in 1980, is a group of companies providing specialist financial services to the global entertainment industry. Our clients include film & television production companies, producers, US studios, banks/financiers, private equity firms, government agencies, talent agents, actors, directors, crew, musicians and live event tour promoters. We have offices in Australia, New Zealand and South Africa and strategic relationships in the USA, Canada and the United Kingdom.

Film & Television Tax Incentives/Rebates
Moneypenny is the market leader in the Southern Hemisphere, successfully structuring and claiming payouts in full for many feature films (mix of US studio, domestic and international co-productions), TV series, and mini-series, with combined qualifying spends of over A$1 billion. Our production monitoring procedures, reporting and application presentation formats are approved by all completion guarantors and government agencies, with the real value add being our understanding of the nuances involved in the various definitions and unique risk mitigation strategies for producers/financiers to maximize their claims. To this end we have developed an in-house model that is at the cutting edge of international tax and capital market compliance standards.

Production/Tour Accounting & Payroll Services
Moneypenny’s major focus is in the areas of project budget analysis and management, where we have accounted for and/or provided payroll services to over US$1.5 billion in film and television production in Australia, New Zealand, Fiji, Vietnam, South Africa, Thailand and Europe.
Our project based production accountants have experience with all the major software packages – Vista, Visual Max, PSL and our own fully integrated general ledger and payroll package, Goldfinger.
Goldfinger’s payroll module is also able interface with these software packages, avoiding time consuming journal entries and providing the level of detail in the general ledger the production requires.
 
Sorry.

I'm not american. Get used to see me saiyng some nosens, LOL!
 
yea thats the problem with international sites u dont know were people are from and their expressions and lingo and what not.
 

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