Logan is awakened at night by Xavier's psychic voice. While their mentor is in a coma, his Future Version is able to communicate with Logan once he moves closer. I am curious whether Xavier's incapacitation is related to his Future self. At the very least, having the "Younger" version of himself in the Mansion likely acts as a "psychic anchor" for Future Xavier to send his mental messages from 20 years in the future. But now I'm getting deep into babble. Future Xavier warns Logan of an event in Africa that causes catastrophic destruction, which is caused by Storm herself. Logan doesn't believe it and immediately sets out to ensure that it doesn't happen.
Last episode, I commented about how I disliked how Future Xavier is used as a big, fat spoon to feed in some of the issues that the series needs. This episodes continues that in a more episodic sense, and I still don't like it. If all Logan needs to be leader is a Future Xavier telling him exactly what has to be done to prevent his dark future, then why exactly is Logan needed? Couldn't any X-Man in a similar circumstance produce similar results, such as Beast? The show needs to do more to show why Logan, distinctly, SHOULD be leader if they really want to work with the concept. The pilot was good for that because the idea of breaking into a federal facility to free folks the government deems "suspects" is exactly the sort of thing Logan would relish. But if it's just going to be, "do what Future Xavier says", then it will be more episodic and simplistic than it has to be, or should be. It makes Logan seem like he can't do anything without Xavier leading his hand. Time Travel is often used as plot convenience by writers and it would be a shame if it was being used that way here. A minor rewrite could have had the X-Men discover the situation themselves.
Emma Frost is spying on the psychic conversation, which Wolverine doesn't like. He doesn't trust her and they get into an argument over trust and manipulation. Of course, Frost is an odd character because while she is clearly manipulating them to her own ends, she does genuinely care about the cause as a whole, at least from her own perspective. Logan, of course, rightly doesn't like being "used", especially with his background. The Frost/Logan dynamic is one of those cases where you have two characters who by their composition are due to conflict, and when they do so, it can be interesting to watch and can make for some good scenes.
Cyclops, on the other hand, is a vacuum. He's still just "there", a hollow empty presence who barely gets in 1 line per episode, let alone two. Colossus spoke for one scene in one episode and probably got as many lines as Scott has in four. He's "Emo-clops" and it isn't very interesting. All he exists to do is give an occasional optic blast or have some other character go, "gosh, Scott is down". In this case, that other character is Kitty, who is surprised that Scott is lounging in his room when word of Ororo's distress is discovered, citing, "The Cyclops I knew would be the first one in the Blackbird" to Iceman. Instead, he is now the last. Now I know TheVileOne will go on and on about how this is a perfect comic translation, blah blah blah...I am just saying it could be written in a way in which Scott isn't so wooden and so boring to watch. It reminds me of X-23; she had a perfectly good reason to be a boring character (she was literally programmed to have no personality besides being aggressive), but that doesn't change the fact that she was boring, at least in EVOLUTION. There are ways to portray grief or a loss of purpose without just having Cyclops sit in the background with a frown, doing and saying nothing.
Now, I am no fool. I expect a VERY SPECIAL EPISODE at some point where Cyclops is motivated to maybe have a whole 3-4 lines in a row or do something dramatic. It will probably involve Frost, Jean, Xavier, or all three. That still doesn't excuse or explain why Scott has to almost be a non-character NOW. There are better ways to write this, and build to this.
The episode's comedic moment is when Forge has just finished fixing and cleaning the Blackbird when the X-Men need it for a mission again; Logan appears to take pleasure in scratching it to "ease" Forge. Now, Forge is also coming off as a cliche'; he is the stock tech/mechanic guy. Granted, this doesn't deeply offend me because I've never been fond of Forge. Teams always have this sort of character (even BATMAN: THE ANIMATED SERIES had a mechanic for the Batmobile, although he sadly wasn't added to the main cast), and if anyone is going to serve that role for the X-Men, it may as well be Forge. It still seems a bit stock, and if I wasn't an X-Men Fan, I might wonder if he was actually a mutant or if he was just a human with a cybernetic leg, because his powers haven't been explained or defined. Logan comes off as a jerk in this sequence, but that doesn't bother me either; once upon a time in the comics, Wolverine WAS known for being a jerk. It offered a break from the "Grandpa X-Man" role the show is hammering into us. Still, it was more like a "ribbing of a kid-teammate" than something malicious.
Shadow King is naturally a body-swapping psychic villain whose has to inhibit hosts to survive, whose ambition is to claim ownership of Storm. Chris Claremont and other writers have turned this plot into an overdone hack sequence, but that still doesn't mean it is unworthy of animation, I suppose. I've not been Storm's biggest fan, and I see Shadow King as cliche himself, as no end of stories and movies have been told with similar villains. I'd rather see Mojo than Shadow King, frankly. Still, the introduction sequence where a Good Samaritan trying to help a man stuck in the desert, only to become the King's next host (as that man is presumably left dead or dying behind him) was a good scene to showcase the nature of the power and the cruelty of the villain. I may not like Shadow King, but there's little doubt that W&TXM has given us the best version ever put to another medium.
Shadow King of course gets to Storm, who is begrudgingly accepting gifts from grateful African citizens for her efforts. It is implied, but not outright said, that Storm has been in Africa for a year and has been using her powers to benefit the region. She is uncomfortable in the role as "worshiped being" as she of course is being altruistic and doesn't seek reward. In a flashback sequence, her past as a street thief who once was practically "owned" by Shadow King before being rescued by Xavier is done very well; like I said, this is basically "Whatever it Takes" done better, and this flashback is no better. While Shadow King seems unable to completely "possess" Ororo, he psychically tricks her into destroying Africa by making her believe he is burning it, so she floods it.
The action is typical weather-fighting stuff for a while. I almost felt sorry for Forge when the X-Men make a water-landing with the Blackbird and Cyke has to blast a hole into the hull (which at least meant the past scene worked). Storm's weather gets worse and the wind/hail begin to overwhelm Iceman, Beast, and Shadowcat. Frost chooses a convenient time to display her diamond ability, and it works a lot better in a world where this wasn't an awkwardly explained "secondary mutation" as it was in the comics. I have to admit, a bit where Wolverine and Cyclops slice & blast at ice-shards that blow at them probably looked better in storyboards than animation, where it almost looks like they're hacking at the rain.
Emma Frost suggests that Cyclops blasts Storm out of the sky and end it. Scott almost shows emotion at balking at blasting a comrade (someone might note he was hardly apologetic when he blasted Wolverine in episode 2). But of course this would mean that Wolverine can't do something cool in an episode where by design, he can't beat the villain himself. So they have this awkward sequence where Wolverine climbs a mountain, Cyke blasts him to get him aloft, and he grabs Storm. It seemed artificially built to cater to Wolverine. Cyclops can control his blasts so they aren't lethal. He could have blasted her, and had Logan catch her. But that would make Logan appear secondary, and he's the star of the show; he NEEDS a lot of the dramatic action. These sorts of situations, where things are clearly catered to Wolverine, need to be smoothed over so they seem more organic.
The rest of the episode goes as anyone could predict. Emma Frost engages in a psychic duel against Shadow King, and prevails despite being of lessor power, risking her life. She thus "earns", or starts to, respect from Wolverine. The psychic fight is basically a typical thing in animation; "clear" character models engaging in melee combat. It does done rather well, though; better than such scenes were done in the 90's, or in EVOLUTION. Watching Shadow King get sliced in two and then explode was pretty cool.
Naturally, Storm returns to the X-Men at the end. I am just curious how this effects Future Xavier's time-line.