Speaking of Moore's Swamp Thing, I just got the Absolute Swamp Thing By Alan Moore Vol. 3 hardcover the other day. I waited a very long time, since basically the announcement of the Absolute line, for Alan Moore's Swamp Thing to be collected in this format. While I'm a little iffy on the re-coloring the work was given, because I don't see anything wrong with the original colors at all, seeing the work on such a big canvas is pretty incredible and gives the story an extra punch.
Anyways, COMICS!
Had a lot of catching up to do, but here we are.
JLA/AVENGERS: Since this is the first time I've read the story, and I was very fortunate to get a copy of the new, and very limited TPB edition of the book, I dove into this as soon as I got home. I gotta say, this is probably one of the best superhero comics of all time. It has such scale, and such weight to it, and it embraces all of the inherent absurdities of superhero comics as a matter of fact. There's no irony or self-awareness or this adolescent interpretation of scale. Kurt Busiek is one of comicdom's best writers. He knows how to approach these characters and this situation as a storyteller first, superhero writer second (which is a big reason his Conan run is so good). And of course, George Perez draws the hell out of it. It's unfortunate that even before this reprint, many people were unable to readily get this story in their hands. In an era where these characters dominate TV and movie theaters, there's no reason this can't be an evergreen book. Hopefully there's another reprint down the line with a significantly larger print run.
Wonder Woman Historia #2: This is one of the best books DC has going right now. The first book was so amazing, and this one keeps it up. It's always nice when Gene Ha comes back to do superhero comics. The tone of this book is exactly what I look for in comics. It feels grounded and epic at the same time, and it has a pretty serious tone to it. It's about as "un-Superhero" as it gets, which worries me once this book, if ever, gets to introducing Wonder Woman. There's a certain inevitability in this book that almost seems like it demands a conclusion, rather than a "never the end" style approach to an ending and I think traditional superhero lore never really offers the former, but the latter. But we'll see. Issue 3 comes out in the Fall at some point with Nicola Scott on pencils. Should be more great stuff.
Batman: Killing Time 2: The time jumps in this book got a little obnoxious though I'm having a pretty fun time with it so far. This is Tom King just cutting loose and telling an action packed heist comic. It's much less formal than his other work, though you can see flourishes of an appreciation for elevated pulp literature (namely Jim Thompson and his screenplay for Kubrick's "The Killing"). I expect next issue to be much more explosive and I'm curious how the anecdote about Pentheus of Thebes ties into the larger narrative.
Human Target #6: Solid ending. A very bold ending. I know a lot of people are upset with how this issue played out, and most of those people are people who hate Tom King and yet continue to read his work every month. I've never been a fan of Guy Gardner (see: Swamp Thing #81) so I wasn't bothered by the ending of the issue. The story's been so good thus far and that's why I read comics. Continuity be damned! I'm just annoyed that I have to wait until November for the book to come back.
Robin #12. I have no interest in any of this Shadow War stuff so I just kinda breezed through this one and don't remember any of it. I know I'm gonna end up with those Shadow War tie-ins because I have the title on subscription, and while I'm gonna wait and see how the book picks up once that event is over, I have a very strong feeling that I'm gonna be dropping this book before year's end.
Naomi Season 2 #1: I liked the first mini series, and I enjoyed the character, but I couldn't get into this one. I've generally been pretty sympathetic, if not defensive, in regards to Bendis' time at DC and while it's nothing new, I just found his writing style on this issue so grating that I also had to breeze through and read pages that looked interesting. I unfortunately won't be coming back next for issue 2.
Flash #780: Another weak issue in the haul, but I'll give that an excuse because it was shoe-horned into a pointless event. I still love this book and am eager to see how this book picks up once Death of the Justice Leage and Dark Crisis kick into gear. Jay and Bart were mentioned in this issue and I'd really like to see the both of them back in this book. We're getting there, I feel.
Swamp Thing #11: Another great comic and a very welcome return. Bringing back Tefe Holland was a great move and i hope she's here for the long haul. She's been neglected since the mid-2000s I think, whenever DC cancelled the Diggle/Dysart Swamp Thing run. She's an interesting character who never reached full potential and her use in this book brings about a bunch of cool possibilities. I also really dug the conclusion of the issue. The remaining issues of this book should be nuts!
Action Comics #1041: Dale Eaglesham's artwork took me by surprise mainly because I wasn't expecting him on art duties. Another great issue, though probably a step down from the previous ones because of the art work. Still, one of the best Superman stories in a long time and I'm excited to see where it goes.
Superman Son of Kal-El #9: I told myself I'd give this book until issue 12, but I'm not sure I can go that long. Taylor's CW-soap opera writing style is getting very obnoxious here and I'm beginning to worry that as progressive the story is trying to be, it won't be able to successfully accomplish that without feeling trite and hollow. I love the Dick/John dynamic though, and more teaming up in future stories is welcome. But I really feel like this book is stuck in a rut right now.
The Cimmerian: Hour of the Dragon #1: This is the Ablaze Conan series, which are English reprints of current French Conan comics if I'm not mistaken. We start with the first chapter of Robert E Howard's only Conan novel, previously adapted by Roy Thomas at Marvel back in the 70's and more recently by Tim Truman and Thomas Giorello for Dark Horse. Both adaptations are solid, and this one is just as good. Beautiful artwork: gritty, no-holds-barred, violent, painterly. And the writing is perhaps a bit more hardboiled than Truman's prose. I think this is a 4-issue adaptation, which already makes it feel a little more condensed (Truman's version was 12), but this is still solid. And still better than what Marvel is doing with the character currently.
Nightwing #90: This book shows what a good and capable writer Tom Taylor is. The CW-drama is toned way down and is a much more fun read. Any time Dick and Wally team up usually leads to a good time and this issue was no exception. By and far, one of the best books DC has right now along with The Flash. More interaction between those books would be great.
World's Finest #1: Mark Waid makes a long awaited return to a monthly DC book and it was a lot of fun, all things considered. I like the return to a more classic vibe for Superman and Batman, as the book has a bit of a Silver Age zaniness to it, but I feel like ignoring all of the progress Superman has made as a character over the last decade (and more, considering he and Lois aren't married here) is a little disingenuous and maybe even a little lazy. But the book is just getting started and it has the Doom Patrol in it, and that's always a plus!