Babillygunn
New Age Outlaw
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I really enjoyed Tomasi’s ‘Tec this week. When he turns on the heart, he is in his element.
I respect the creativity in the midst of COVID.
I guess that makes sense!Captain America sorta gets the 4th of July?
So when is Superman Day or does he not get one.
Hey all.
How do you define a comic book 'event'?
For me it's always been a story with the potential to bring about profound, far-reaching changes in the [insert publisher] comics universe. So Crisis on Infinite Earths, Flashpoint, Dark Nights: Metal, would all fit; but a superhero wedding, or the birth of their child wouldn't - no matter how much real world publicity (and sales) it generated.
Death of Superman would count. The implications of Superman not being around any more were massive for the inhabitants of the DC Universe. But Knightfall wouldn't; although it was a big thing that Bruce Wayne was no longer Batman, and might never be again (okay, we all knew he'd be back), the implications for the inhabitants of the wider DC Universe were nowhere near as big. I guess an argument could be made for calling that one a mini-event.
Does anybody here view it differently? Are there alternative or additional criteria for you? Does an 'event' have to crossover many titles? Does it have to run for a minimum period of time or number of issues?
I'd be really interested to hear your thoughts
No argument there. Look at Armageddon 2001. The concept was interesting. It ran across pretty much the whole DC line (annuals), and promised a huge 'shock revelation that would change everything'. In the end, the thing that 'changed' was an 11th hour alteration to the big reveal (a reveal so bad that DC were forced to retcon it - twice) and the whole story ended up being one of the most disliked in DC's history. As far as I know it's still never been collected.It’s important to note that events don’t necessarily mean better stories.
True!One thing that I feel is obvious is that Scott Snyder would probably say that everything he writes in an “event” story.
Yes, that's pretty much how I see that one.I mean is Bruce being gone less "important" than Superman dying just because in Superman is more Powerfull?
Both wouldnt be there to help and protect.
But i would argue that the scale is different, Superman isnt just in Metropolis while Batman mostly operates in Gotham.
So Supermans death despite Batman being part of the Justice league and all, has a bigger effect.
New 52 Detective Comics, have you guys read it and would you recommended it?
I was looking at The latest video from Near Mint Condition and he was showing this run and I Really liked the art in it and got Kinda curious.
I have read and enjoyed the N52 Batman run.
So what do you guys feel about say Identity Crisis, or more recently Heroes in Crisis? I wouldn't call those 'events' (have to say I'm not up to date with any fallout from HiC - Flash Forward is still on my 'to read' pile), but I've seen some people refer to them in that way.
A short search when it comes to it, tells me that there seems to be the general opinion that storylines that cross over are considered 'events'...which kinda takes away from feeling special because according to wikipedia, since rebirth we have 22 'events' and thats way too much and makes 'events' feel less important.
But then we are talking about comics, where people rarely stay dead(which i hope is the case for Alfred...i miss alfred....Alllllllffffffrreeeedddd XD) and all.
I like your analogies!Interesting question.
I approach event comics the way we approach holidays. For example, Crisis on Infinite Earths is definitely Christmas. It's massive. You can't escape it. Everyone's aware of it and (most) everyone always participates in it.
Event Leviathan is still an event, but it's like President's Day. It's there. You know it's there. Some people (apparently) are into it. But everyone else kinda shrugs it off.
Heroes In Crisis or Legends is like Easter. It's there, and it's acknowledged as being pretty important, even though it never quite feels that way. You can participate in it if you want, but it's always half-hearted and never quite as exciting as a bigger holiday.
Death Metal i'd argue is like Thanksgiving and Black Friday combined. It's unavoidable, everyone participates, it's fundamentally insane and it's just LOUD.
Storylines crossing over being the sole criterion for an 'event' is ridiculous! As you point out, we'd be swimming in them! Brotherhood of the Fist ran five issues and spanned four titles (Green Arrow (twice), Detective Comics, Robin, and Nightwing). It's one of my favourite storylines, but I wouldn't call it an event.
@Mani-Man @Babillygunn @MMMMM...Pancakes (and anybody else!)
Thinking about it some more, I feel an event should have scale, depth, length (admittedly this is a sticky one; I'm hesitant to say 'it must be X number of issues'), emotional weight, and significant consequence. When I read an event I want to feel 'This story needed to be told'. How does that sound? Would you add anything to those? Would you take any of them out?
I like @CrimsonMist mindset on it.
Have it be different "kind" of events.
But then again, how do you categorize what kind of event what is?
I don’t know. “The Button” was pretty heavily promoted. I know it was supposed to be a lead up to Doomsday Clock but they bordered on promoting it as an event, even though it was a two issue team-upAgreed @Babillygunn, there are too many so called 'events'. I also feel the lines between 'team-up' and 'event' have become blurred. If a story features Green Lantern and Batman working together and spans GL's titles and Batman's titles for a couple of months, that in itself doesn't make it an event. And I'm not saying that DC would necessarily promote it as such, but there are fans who would see it that way.
Okay, that's interesting about The Button. Definitely a team-up, not an event in itself.I don’t know. “The Button” was pretty heavily promoted. I know it was supposed to be a lead up to Doomsday Clock but they bordered on promoting it as an event, even though it was a two issue team-up
Absolutely. I would not consider an elseworlds story to be an event. It is a different animal. Kingdom Come is one of, if not my favorite stories ever written. But I wouldn’t call it an event. Neither is Dark Knight Returns or Gotham by Gaslight. I agree that continuity is essential. During elseworlds stories, the writers have the luxury of playing with house money because the stakes do not impact continuity. Good writers use that for the better. (See Mark Waid and Kingdom Come, or Tom King’s Mister Miracle/Omega Men). Others not so much (See Scott Snyder and Last Knight on Earth).Okay, that's interesting about The Button. Definitely a team-up, not an event in itself.
What about continuity? Going back to 'significant consequences' being a necessary part of an 'event' (if you agree with that), Elseworld-type stories to me don't really have that. They may shake things up on that particular 'Earth', but that Earth may be one we've seldom (if ever seen) before. So however much I might enjoy the story, the stakes aren't 'real' enough for it to qualify as an event (otherwise Kingdom Come would rank as my favourite event of all!).