Superhero Cinematic Civil War - Part 57

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It's continuously amusing how Ragnarok detractors have a one dimensional view of that version of Thor, one that only exists if you don't pay attention to much of the movie.

Ragnarok Thor was only the butt of jokes? Um...what? Dude whooped Surtur alone, out-manuvered Valkyrie, Loki, and Hela, and would've likely beaten Hulk had Grandmaster not intervened. Thor is very effective in that movie. I can name a some CBM directors that should look at Ragnarok and learn how to make sure your lead hero doesn't end up being overshadowed in their own film.
 
Yes, but that would have required actual creative effort, wouldn't it? And why bother with that when you've got a crazy Kiwi promising to make it just like the Guardians of the Galaxy movie that got you over $800 million at the box office?

And part of it was to do with Hemsworth. He far prefers man-child Thor to actual God and Asgardian Prince Thor, so if they wanted to keep him around, they needed to keep him happy.

Not that Ragnarok can't be enjoyed. But it REALLY p****s me off when I see delusional fanboys trying to argue that it has some kind of deeper meaning behind it. Like, they say that it deals with colonialism. Well, sorry, no. A throwaway line of exposition doesn't count as "dealing" with a topic like that. Ragnarok at best touches with the lightest of taps on some interesting issues but then it discards that in pursuit of the next gag. Which is fine for a dumb comedy. But you don't then get to claim that your movie is dealing with weighty issues when it clearly doesn't treat those issues appropriately.
You don't think comedy can deal with real issues? Really?

The Colonialism is definitely there, but what always struct me with Ragnarok is how it deals with trauma and PTSD. Thor, Hulk and Valkyrie in particular.
 
It's continuously amusing how Ragnarok detractors have a one dimensional view of that version of Thor, one that only exists if you don't pay attention to much of the movie.

Ragnarok Thor was only the butt of jokes? Um...what? Dude whooped Surtur alone, out-manuvered Valkyrie, Loki, and Hela, and would've likely beaten Hulk had Grandmaster not intervened. Thor is very effective in that movie. I can name a some CBM directors that should look at Ragnarok and learn how to make sure your lead hero doesn't end up being overshadowed in their own film.
I am a pretty big Thor fan. Out of all the Marvel characters, he definitely the one I have read the most. I still rather enjoy the first Thor flick, though I find his general characterization in Avengers, TDW and AoU lacking.

But I just don't get the reaction from some to him in Ragnarok, Infinity War and Endgame. For me, it is some of the best character work Marvel has done. And it seems that a lot of the issues people seem to have with it is it involves comedy and Thor doesn't just stand around one shoting everyone.

It reminds me of the whole Supergirl/Superman situation. Where people were upset that Superman lost to Supergirl and then didn't tell her she sucked and that she only one because blah, blah, blah. Missing out on the character of Clark and what makes him Superman.

Thor put on weight, thus it's the worst thing ever and he is walking joke. Even as the guy is you know, obviously going through some ****. His scene with his mother kills me in Endgame. It is a beautiful moment that means so much more then flooring a bunch of enemies with his awesome powers.
 
No matter how crazy or how funny, there is an underlying heart and soul that comes out in spades for the big moments. Thor's big lightning show works so well because of how his conversations with Loki, Hulk, Valkyrie, and Odin. Where it is clear he is a person with emotions and feelings. He endears characters with the funny, which is why his flicks pack such an emotional punch imo.

One thing that gets me about the apparent knock against Taika. Do those people who don't think his flicks are emotional because they are incredibly funny, think the OT and Indy are undercut by the mountains of comedy? Because they are all loaded with it. That is what made Ford so popular.
I think whatever heart and soul is being gone for in Ragnarok isn't given much emotional weight or drama, or focus.

I don't know his other movies. I don't think I've seen them. I'm only, here, talking about Ragnarok. I think his conversation with Odin is dumb (it IS dumb in one area, because Thor's not a god, not only on a moral arena, but also the movies have already established this by Odin saying they're not gods). I think the Odin scene amounts to a cheap, "the power was inside you all along" or something like, "believe in yourself", which I think has not much substance or emotional resolution to Thor's character and/or arc, as a whole.

Hulk, I think isn't much of a conversation with that, that I think has a strong emotional core, like that, to me.

I like his some of his stuff with Loki, but I think it's not given much emotional resonance.

Valkyrie, I guess. But, like with the others, I think those moments aren't developed, at least strongly, with emotional resonance to his lightning scene. Which I think is mostly cool and not much else building on that.
It's continuously amusing how Ragnarok detractors have a one dimensional view of that version of Thor, one that only exists if you don't pay attention to much of the movie.

Ragnarok Thor was only the butt of jokes? Um...what? Dude whooped Surtur alone, out-manuvered Valkyrie, Loki, and Hela, and would've likely beaten Hulk had Grandmaster not intervened. Thor is very effective in that movie. I can name a some CBM directors that should look at Ragnarok and learn how to make sure your lead hero doesn't end up being overshadowed in their own film.
I think the view you present isn't any less one dimensional. Thor winning fights doesn't he can't still be seen as the butt of jokes. I think his physical victories aren't that important in comparison to the dramatic characterization of the character, which I think doesn't get much weight, along with other aspects of the movie.
You don't think comedy can deal with real issues? Really?

The Colonialism is definitely there, but what always struct me with Ragnarok is how it deals with trauma and PTSD. Thor, Hulk and Valkyrie in particular.
I don't think that comedy in Ragnarok is really used to deal with real issues in strong dramatic ways. You bring up PTSD, but while I think the idea of those may be there, I think they're not dealt with. And the potential theme of colonialism may be there, but I think not dealt with.

I see this as similar defense of BvS: No, the idea is that Bruce sees Superman as a person because of that... I don't care. I don't think it's done well.
 
But I just don't get the reaction from some to him in Ragnarok, Infinity War and Endgame. For me, it is some of the best character work Marvel has done. And it seems that a lot of the issues people seem to have with it is it involves comedy and Thor doesn't just stand around one shoting everyone.
I'm fine with his Infinity War characterization. He's broken, damaged, suffering immensely, physically and emotionally, and I think it's mostly being treated dramatically. He has some comedic bits, but I think it's all mostly consistent with his situation.
Thor put on weight, thus it's the worst thing ever and he is walking joke. Even as the guy is you know, obviously going through some ****. His scene with his mother kills me in Endgame. It is a beautiful moment that means so much more then flooring a bunch of enemies with his awesome powers.
I think the fat Thor thing is dumb for a variety of reasons: He's an alien space guy with superpowers that's lived for hundreds of years and it only takes five years for him to get fat? I think the fat stuff is almost all treated like a joke. Even the crying with his mom, I think is acted with a comedic tone. I think the emotional resolution to that is an easy out. Not the him giving up being king thing, that's whatever, but the idea "everyone fails at what they're not supposed to be" or something like that. 1. I think it adds pointlessness to him becoming king at the end of Ragnarok. 2. Being a broken man from the loss of half his people is failing at what he's not supposed to be how? 3. I think it leans again into the Thor's mostly comedic attitude from Ragnarok and doesn't use his intense, painful dramatic use in Infinity War.

I don't want him to floor a bunch of enemies with his powers. I wanted Thor to be emotionally broken and thinking that all he's capable of being is a bloodlust driven monster, thinking that's all he is and every part of himself that's tried to be more was him lying to himself, blaming that part of himself on Thanos winning. I wanted this to be resolved with them needing Uru metal to form the new gauntlet and him, for good, relinquishing his warrior-ness, and becoming entirely committed to peaceful heroism, with the symbolic gesture of giving stormbreaker to be melted down for the gauntlet.
 
I really like Cap's corner of the MCU, but I'll have to disagree with the prepositions about Ragnarok (and the notion that Taika brought no creative effort to the project). It very clearly had a colonialism subtext that was present not only in Hela's plot but in the Sakaar one, too. It, of course, didn't have a paper on the matter, but the recontextualization that Odin built Asgard with the massacre of other nation is what you need and pretty bold for movies that tend to be happy glamourizing "the old days". That this message is snuck into a very, very fun action comedy is truly impressive, really.

Still, for those yet thinking the cooky kiwy can't pack a punch, I have a hunch we should wait for Love and Thunder, a movie he actually wrote, as far as we know (he didn't write Ragnarok). I really don't care about this "bathos" argument that seems to have gained traction and all, but even if you do, you can't possibly not see the drama in things like Boy, Hunt For The Wilderpeople and Jojo Rabbit. The guy can go for the heart and I'm feeling he will in Love and Thunder.

Which also leads to GOTG. It and even more Vol. II are two of the most emotionally satisfying films on the MCU for my money. Yeah, even with fart jokes. Fart jokes don't take me away from actually touching takes on abuse and the pressure to perform toxic masculinity. Just like Gunn did, I'm pretty sure Taika will build upon his first film to deliver a deeper sequel.
I think any colonialism theme is more an idea, than a developed concept. I think that doesn't make it particularly deep, like that, as a whole.

I don't trust people enough to give them a chance to wait for them to show me they can do something. We'll see what he does, but I'm assuming it'll be well written. I don't think I've seen any of the movies you've suggested. And they may not be movies I'd be interested in.

Toxic masculinity? What does that have to do with it? Can't people just be toxic or arrogant or treat people poorly?
 
I think the view you present isn't any less one dimensional.

That's because you're responding to a strawman version of what I posted, not what I actually posted.

I never said Thor wasn't the butt of jokes. I was disputing the idea that in Ragnarok, he is only the butt of jokes.

In general, Ragnarok Thor is more dimensional than it's detractors give credit for. And while I'm not the hugest fan of Endgame Thor, there are great character moments in there as well, and the general arc is pretty strong.
 
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There's no doubt that the MCU Spider-Man movies have been a missed opportunity. For performance, for character, for pathos etc. The films only seem to exist to expand on and/or reflect Iron Man's reach in the MCU. Spider-Man isn't bringing his own slice of mythos to the MCU, he only exists to be an extension of Iron Man.

But even a film like FFH which could've explored and deconstructed Tony's legacy (the good AND the bad), opted to instead talk about doing this... But never actually commit to it. It would've been the perfect opportunity for Peter to take off the fanboy worship blinders and confront Tony Stark: the flawed human being, the person the public and up until now, Peter, didn't get to see. It's a shame.

I remember in 2015 when Kevin Feige mentioned films like the Breakfast Club for inspiration. It was exciting because, that's the perfect template for a High-school oriented Spider-Man movie... But these films can't even commit to that. The filmmakers don't seem to understand what made Breakfast Club a classic, or what Breakfast Club even is, point blank period

It's funny that people call TASM films soulless cash grabs, when these films feel more driven by corporate machination than anything else. Marc Webb at least had a vision, and was passionate about the source material
 
I remember in 2015 when Kevin Feige mentioned films like the Breakfast Club for inspiration. It was exciting because, that's the perfect template for a High-school oriented Spider-Man movie... But these films can't even commit to that. The filmmakers don't seem to understand what made Breakfast Club a classic, or what Breakfast Club even is, point blank period

That's the MCU in general, though. Feige and Co. only do, at best, a diet version of a particular genre. TWS is the closest to almost feeling like the genre it's emulating, and even that goes out the window when they find Zola.
 
There's no doubt that the MCU Spider-Man movies have been a missed opportunity. For performance, for character, for pathos etc. The films only seem to exist to expand on and/or reflect Iron Man's reach in the MCU. Spider-Man isn't bringing his own slice of mythos to the MCU, he only exists to be an extension of Iron Man.

But even a film like FFH which could've explored and deconstructed Tony's legacy (the good AND the bad), opted to instead talk about doing this... But never actually commit to it. It would've been the perfect opportunity for Peter to take off the fanboy worship blinders and confront Tony Stark: the flawed human being, the person the public and up until now, Peter, didn't get to see. It's a shame.

I remember in 2015 when Kevin Feige mentioned films like the Breakfast Club for inspiration. It was exciting because, that's the perfect template for a High-school oriented Spider-Man movie... But these films can't even commit to that. The filmmakers don't seem to understand what made Breakfast Club a classic, or what Breakfast Club even is, point blank period

It's funny that people call TASM films soulless cash grabs, when these films feel more driven by corporate machination than anything else. Marc Webb at least had a vision, and was passionate about the source material
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I love MCU Spidey. It's my favorite take on Peter Parker. Considering the flicks success, I think there is plenty doubt that the majority haven't at least been enjoying Holland in the role and his flicks.
 
Spider-Man: Homecoming (2017)

Spider-Man: Far From Home (2019)

Transformers: Revenge of the Fallen (2009)

Spot the difference.

MCU Spidey has critical, public and financial support to prove he is "over" with the public. When it was suggested that Holland's Peter wouldn't stay in the MCU, all hell broke loose. The online reaction was very much against it. Does that mean your opinion on the character is wrong? No. Does it mean your opinion that MCU Spidey has been an obvious disappointment is wrong? Definitely.

Fun fact! Holland's Spidey is the only Spidey to see an increase at the box office between his first and second film. It was a $250m increase.

OQmpWZp.gif
 
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Spider-Man: Homecoming (2017)

Spider-Man: Far From Home (2019)

Transformers: Revenge of the Fallen (2009)

Spot the difference.

MCU Spidey has critical, public and financial support to prove he is "over" with the public. When it was suggested that Holland's Peter wouldn't stay in the MCU, all hell broke loose. The online reaction was very much against it. Does that mean your opinion on the character is wrong? No. Does it mean your opinion that MCU Spidey has been an obvious disappointment is wrong? Definitely.

Fun fact! Holland's Spidey is the only Spidey to see an increase at the box office between his first and second film. It was a $250m increase.

OQmpWZp.gif
Of course he is. It's Spider-Man, in the MCU. No matter how they approached the character, it was always going to be a slam dunk success (with the public esp) based on novelty alone. And i'd argue that that novelty is absolutely what's driving sucess of these films... I mean, obviously, that's why Sony agreed to share the character.

But I'm not saying my opinion is fact, just that, a consensus (majority rule) is not an objective measure of quality either. Everybody enjoys or doesn't a thing for different reasons. Someone may watch a movie like Spider-Man: Far From Home and enjoy it because the characters are funny (to them), and because Spider-Man is in the MCU. Whereas, I would not enjoy the movie as much as they would, because I feel like the writing is weak, and certain ideas & choices (the writers make) are poorly executed and underwhelming

Everybody is looking for something different. What I'm looking for, is a Spider-Man movie, not a commercial for the Iron Man films. Which Is what I feel these movies are
 
The MCU loosely based Spider-Man is all well and good but I know damn well when they start their X-Men stories Feige better give us all of this:

195F55EC-03DD-4D3A-BD3B-7054DF46045D.jpeg
C05C25C8-45F9-4821-822E-DBF2FF41D8B8.jpeg

We’ve waited far too long and weathered the Fox owned storms (no pun) for a watered down MCU Uncanny X-Men.
 
Of course he is. It's Spider-Man, in the MCU. No matter how they approached the character, it was always going to be a slam dunk success (with the public esp) based on novelty alone. And i'd argue that that novelty is absolutely what's driving sucess of these films... I mean, obviously, that's why Sony agreed to share the character.

But I'm not saying my opinion is fact, just that, a consensus (majority rule) is not an objective measure of quality either. Everybody enjoys or doesn't a thing for different reasons. Someone may watch a movie like Spider-Man: Far From Home and enjoy it because the characters are funny (to them), and because Spider-Man is in the MCU. Whereas, I would not enjoy the movie as much as they would, because I feel like the writing is weak, and certain ideas & choices (the writers make) are poorly executed and underwhelming

Everybody is looking for something different. What I'm looking for, is a Spider-Man movie, not a commercial for the Iron Man films. Which Is what I feel these movies are
And you are allowed your opinion on the character. I simply pointed out the idea that the MCU Spidey has "no doubt been a missed opportunity" like it was in some way the consensus, is clearly wrong. You doubled down against my argument pointing to the Transformers flicks, because there much more of a consensus they aren't great movies. I then pointed out that MCU Spidey has reviewed well and is popular enough with the public to force Sony's hand at the bargaining table. Now you have decided to come back with your opinion on the character, which I already said you were entitled to and never questioned. Only you tried to speak for the consensus opinion in the negative, even as there are no metrics to support it.
 
The MCU loosely based Spider-Man is all well and good but I know damn well when they start their X-Men stories Feige better give us all of this:

View attachment 44979
View attachment 44980

We’ve waited far too long and weathered the Fox owned storms (no pun) for a watered down MCU Uncanny X-Men.

I am curious, and very, very concerned about how they will handle the X-men. Black Panther gives me some hope. However, with Disney's love affair with China, there are a lot, a LOT of concerns that it will be watered down. Especially with how the allegory has shifted over the years. And honestly, the racial allegory doesn't work as well any more without a ton of changing of races. Which, honestly, I think should be encouraged with the X-men.

But, I don't feel Feige has enough power to let X-men embrace the gay and trans allegories that they have picked up. Hell, given the treatment of Sina Grace's Iceman, and of Grace himself, Marvel isn't either.
 
I am curious, and very, very concerned about how they will handle the X-men. Black Panther gives me some hope. However, with Disney's love affair with China, there are a lot, a LOT of concerns that it will be watered down. Especially with how the allegory has shifted over the years. And honestly, the racial allegory doesn't work as well any more without a ton of changing of races. Which, honestly, I think should be encouraged with the X-men.

But, I don't feel Feige has enough power to let X-men embrace the gay and trans allegories that they have picked up. Hell, given the treatment of Sina Grace's Iceman, and of Grace himself, Marvel isn't either.

Yeah I know there's a lot to deal with by pleasing the overseas markets, but I think there's a way for them to pull off X-Men without watering it down (at least I hope). The beauty of that franchise is that they could use both the racial and lgbtq allegories with an assortment of their mutant characters, just as long as they have the right writers at the helm. Considering what we're going through as a society right now, both of those allegories are timely and there is a way to bring it out.

I'm just praying they don't make it into a big joke. Of all the comics, X-Men at its core is one big melodrama and I hope they don't lose sight of that.
 
The MCU loosely based Spider-Man is all well and good but I know damn well when they start their X-Men stories Feige better give us all of this:

View attachment 44979
View attachment 44980

We’ve waited far too long and weathered the Fox owned storms (no pun) for a watered down MCU Uncanny X-Men.
It’ll be annoying if they start off with, like the Shi’ar and the Brood or something fantastical like that instead of a more boots on the ground sociopolitical take.


I am curious, and very, very concerned about how they will handle the X-men. Black Panther gives me some hope. However, with Disney's love affair with China, there are a lot, a LOT of concerns that it will be watered down.

This is why I’m very wary of Shang-Chi. I don’t think I could sit through an entire film of Disney smooching up to China under the guise of being a superhero film.
 
And you are allowed your opinion on the character. I simply pointed out the idea that the MCU Spidey has "no doubt been a missed opportunity" like it was in some way the consensus, is clearly wrong.
I was speaking more to what was being discussed in this thread. I noticed that there were users who shared similar thoughts as me, so the "no doubt" was an addendum to the general negative slant of the discussion a couple of pages ago
You doubled down against my argument pointing to the Transformers flicks, because there much more of a consensus they aren't great movies. I then pointed out that MCU Spidey has reviewed well and is popular enough with the public to force Sony's hand at the bargaining table
I used the Transformers films as an example of how a consensus is not an objective measure of quality even if it's not an absolute comparison. I recognize that those are way worse films

Yes, the MCU Spider-Man films are massively successful. Yes FFH made a billion+ dollars... And yet, "EDITH" still doesn't make sense. And yet, it still doesn't matter to people who enjoyed the film.

Which is my point.

Now you have decided to come back with your opinion on the character, which I already said you were entitled to and never questioned. Only you tried to speak for the consensus opinion in the negative, even as there are no metrics to support it.
I think the wires are getting crossed a little bit, and we both misunderstood each other's point. I was never intending to speak as if most people share my opinion, and it seems you were not intending to say that my take is invalid because most people enjoy the films.

So I guess we're on the same page? :oldrazz:

I am curious, and very, very concerned about how they will handle the X-men. Black Panther gives me some hope. However, with Disney's love affair with China, there are a lot, a LOT of concerns that it will be watered down. Especially with how the allegory has shifted over the years. And honestly, the racial allegory doesn't work as well any more without a ton of changing of races. Which, honestly, I think should be encouraged with the X-men.

But, I don't feel Feige has enough power to let X-men embrace the gay and trans allegories that they have picked up. Hell, given the treatment of Sina Grace's Iceman, and of Grace himself, Marvel isn't either.
Well, as i always say, it really comes down to who they hire to write and direct this film. Believe it or not, MCU directors and writers do have a rather significant impact in how a film (or show) is shaped and constructed. It's not all studio driven.

A lot of what we love about Black Panther came from Mr. Ryan Coogler himself, and ofc with Feige in full support of his decisions.

We definitely need a filmmaker who will be willing to fight for certain elements (particularly the essential LGBTQ+ aspect) in regards to this property. Kevin Feige def needs to assemble a strong enough team of voices who are on the same page as him. Someone like Ava Duvernay (who is available now) would be willing to go toe-to-toe with Disney if she has to, and Feige & his team would have to back her up.

I'm right there with you guys in hoping that they can do this right, the way it needs to be done for today's audiences.
 
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That's because you're responding to a strawman version of what I posted, not what I actually posted.

I never said Thor wasn't the butt of jokes. I was disputing the idea that in Ragnarok, he is only the butt of jokes.

In general, Ragnarok Thor is more dimensional than it's detractors give credit for. And while I'm not the hugest fan of Endgame Thor, there are great character moments in there as well, and the general arc is pretty strong.
I was talking about your claim that Thor whooping all those people doesn't make him the butt of jokes. I don't think it negates that claim.

I think it can try in parts to have some deep things. That doesn't mean it's good. Character moments doesn't fix the whole, to me.
 
I love MCU Spidey. It's my favorite take on Peter Parker. Considering the flicks success, I think there is plenty doubt that the majority haven't at least been enjoying Holland in the role and his flicks.
I think they're weak, emotional drama lacking movies, that pointlessly, needlessly hogtie themselves to Tony Stark and have Peter be, mostly, a wide eyed child than a guilt driven teen.
 
I am curious, and very, very concerned about how they will handle the X-men. Black Panther gives me some hope. However, with Disney's love affair with China, there are a lot, a LOT of concerns that it will be watered down. Especially with how the allegory has shifted over the years. And honestly, the racial allegory doesn't work as well any more without a ton of changing of races. Which, honestly, I think should be encouraged with the X-men.

But, I don't feel Feige has enough power to let X-men embrace the gay and trans allegories that they have picked up. Hell, given the treatment of Sina Grace's Iceman, and of Grace himself, Marvel isn't either.

With the focus now on streaming the Mouse may be less dependent on the Chinese BO than they were in the Before Times. I don't think we should expect any radical changes to the company's product, but the Chinese government may no longer have the veto power that they appeared to wield in the past
 
With the focus now on streaming the Mouse may be less dependent on the Chinese BO than they were in the Before Times. I don't think we should expect any radical changes to the company's product, but the Chinese government may no longer have the veto power that they appeared to wield in the past

As long as the film division will be chasing billion dollar films, China will be a factor.
 
With the focus now on streaming the Mouse may be less dependent on the Chinese BO than they were in the Before Times. I don't think we should expect any radical changes to the company's product, but the Chinese government may no longer have the veto power that they appeared to wield in the past

The Before Times :hehe:
 
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